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It looks like the DOJ isn’t going to break up Live Nation and Ticketmaster

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After a high-profile antitrust lawsuit, the U.S. Justice Department said Monday that it has tentatively settled with Ticketmaster and its parent company, Live Nation.

After merging in 2010, the combined Live Nation and Ticketmaster control the majority of ticket sales and venue bookings in the U.S., leaving talent little choice but to work with these companies. Customers have been fed up for years with dynamic pricing issues that can drive up ticket costs by thousands of dollars (often without consulting the artists), as well as the process of buying tickets — the sales for Taylor Swift’s Eras tour were so widely aggravating that they triggered government scrutiny.

According to the AP, the settlement would have Live Nation pay a fine of up to $280 million and divest at least 13 venues to give competitors more opportunity. But several states’ Attorneys General involved in the lawsuit are not appeased by the settlement.

“The settlement recently announced with the U.S. Department of Justice fails to address the monopoly at the center of this case, and would benefit Live Nation at the expense of consumers,” New York Attorney General Letitia James said in a statement. “We cannot agree to it.”

Twenty-six out of thirty state attorneys general who sued the company alongside the DOJ chose to join Attorney General James in continuing the lawsuit against Live Nation.

Washington Attorney General Nick Brown also said that the settlement “does not adequately remedy” the issue for concertgoers.

“For too long, Live Nation has raked in billions from a monopoly that has made it harder for consumers to see the artists they love, stifled artists, and increased the price of tickets for countless music fans,” he said.

The trial had gone on for less than a week by the time the DOJ and Live Nation agreed to this settlement. However, some interesting testimonies emerged during the trial.

John Abbamondi, former CEO of the NBA’s Brooklyn Nets and the Barclays Center (where the Nets play), spoke about a decision he made in 2021 to work with a different ticket sales company, rather than Ticketmaster.

The phone call that followed between Abbamondi and Live Nation CEO Michael Rapino played in the courtroom, and according to The New York Times, the recorded conversation was adversarial and “expletive-laden.”

Abbamondi told the jury last week that Rapino made a comment on the call that he interpreted as a “veiled threat — maybe not-so-veiled threat” that Live Nation would put fewer concerts at the Barclays Center as a result of the ticketing change.

Live Nation reported last month that it sold over 646 million tickets last year and put on over 54,000 events internationally. Within the U.S., Live Nation owns 150 venues and invested $1 billion last year to build an additional 18 live music venues.



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Hyper Light Drifter studio workers form union after rounds of layoffs

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Workers at Heart Machine, the independent studio behind Hyper Light Drifter and Solar Ash, have with Communications Workers of America (CWA) Local 9003. The wall-to-wall unit covers all at the studio, which the union in February after a supermajority of eligible workers voted for the measure.

The organizing effort follows a rough stretch at Heart Machine, after the studio employees in November 2024, then announced in October 2025 that it would on its early access title Hyper Light Breaker and cut further staff.

“I decided to get involved in organizing my studio because I’ve seen so many peers in the industry stand up to protect the craft we all care so deeply about. Watching that momentum grow made me realize that if we love this work, we have to protect it, especially now,” said Steph Aligbe, a gameplay tools engineer at the studio.

Heart Machine joining the CWA extends the union’s gaming footprint even further. The union counts at Microsoft subsidiaries among its members, as well as , and others. CWA also runs the , a direct-join union that launched in 2025, allowing individual game workers in the US and Canada to sign up on their own without elections or employer consent. Large gaming studios like Ubisoft have been undergoing a string of , and workers are increasingly demanding to have .



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Pixel 11 Pro Fold looks barely thinner in first leak [Gallery]

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It’s already Pixel 11 leak season folks, with the first CAD-based renders of the upcoming Pixel 11 Pro Fold having just hit the web to reveal a device that, frankly, doesn’t look all that different.

Google’s Pixel 9 Pro Fold was a big leap forward in 2024, but the Pixel 10 Pro Fold that followed felt pretty stagnant with only minor changes that didn’t live up to the big advancements seen in competitors like the Galaxy Z Fold 7. Despite that, it seems the Pixel 11 Pro Fold will also be a pretty minor step forward based on the first big leak.

Leaker @OnLeaks obtained and shared new renders of the Pixel 11 Pro Fold through Android Headlines – there are no obvious signs of AI in the article, something we have to check now – which are based on CAD drawings used for developing accessories for the device. These sorts of leaks are usually fairly accurate, but it’s always worth taking it with a grain of salt given the handful of times we’ve seen changes down the road.

That said, this first Pixel 11 Pro Fold leak shows a slightly updated design. Google’s off-center camera island returns with a slightly new look that includes protruding camera lenses. There are also some minor changes to the frame as well, but it’s all pretty familiar. The finish is shown to be a polished metal instead of the matte used on the past two generations, but that’s not something CAD renders usually tell us ahead of time.

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In terms of dimensions, the Pixel 11 Pro Fold is only slightly thinner than the previous generation, dropping to 10.1mm folded and 4.8mm unfolded. That’s down from 10.8mm folded and 5.2mm unfolded on Pixel 10 Pro Fold, and also thinner than the Pixel 9 Pro Fold which was 10.5mm and 5.1mm, respectively. It’s still nowhere near the sub-9mm thickness of competing foldables like the Galaxy Z Fold 7, Honor Magic V6, and others, but progress is progress.

Other Pixel 11 series leaks suggest that Google may be switching to a modem from MediaTek (the Pixel 10 still uses a Samsung modem), as well as possibly integrating new face unlock hardware, the latter potentially being a good reason for the foldable to remain on the thicker side.

It’s likely that the Pixel 11 series will launch towards August of this year, but we’ll have to wait and see if the aforementioned market conditions have anything to say about that.

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Country Joe McDonald, anti-war singer who electrified Woodstock, dies at 84


Joe McDonald of Country Joe & the Fish has died at 84. His band provided one of Woodstock’s famous moments, leading the crowd through the anti-Vietnam War song “I-Feel-Like-I’m-Fixin’-To-Die Rag.”





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Ring’s Jamie Siminoff has been trying to calm privacy fears since the Super Bowl, but his answers may not help

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When Ring founder and CEO Jamie Siminoff decided to use the company’s first-ever Super Bowl commercial to introduce Search Party — an AI-powered feature that uses Ring camera footage to help find lost dogs — he expected Americans to love it. Instead, the TV spot set off a firestorm.

In fact, practically since the moment it aired in February, Siminoff has been making the rounds on CNN, NBC, and in the pages of the New York Times, explaining that his critics fundamentally misunderstand what Ring is building. He sat down with TechCrunch a few days ago to make his case again, and while he was candid and plainly eager to reframe the narrative, some of his answers may well raise fresh questions among those already uneasy about the growth of home surveillance.

The feature at the center of the controversy is fairly mundane on the surface, and something we covered in a straightforward way when it was first released. A dog goes missing; Ring alerts nearby camera owners to ask whether the animal shows up in their footage; users can respond or ignore the request entirely and stay invisible to everyone involved. Siminoff leaned heavily on this throughout our conversation — the idea that doing nothing counts as opting out, that no one is conscripted into anything.

“It is no different than finding a dog in your backyard, looking at the collar and deciding whether or not to call the number,” he said.

What he believes actually prompted the backlash was the visual in the Super Bowl spot: a map showing blue circles pulsing outward from house after house as cameras switched on across a neighborhood grid. “I would change that,” he said. “It wasn’t our job to try to poke anyone to try and get some response.”

But Ring picked a rocky moment to make its case. Nancy Guthrie — the 84-year-old mother of Today Show anchor Savannah Guthrie — had vanished from her Tucson home in late January. Footage from a Google Nest camera at the property, capturing a masked figure trying to smother the lens with foliage, had swept across the internet and plopped home surveillance cameras squarely into the center of a national argument about safety, privacy, and who gets to watch whom. 

Siminoff leaned into the Guthrie case rather than away from it. In a separate interview with Fortune, he contended it was an argument for putting more cameras on more houses. “I do believe if they had more [footage from Guthrie’s home], if there was more cameras on the house, I think we might have solved” the case, he said. Ring’s own network, he noted, had turned up footage of a suspicious vehicle two and a half miles from the Guthrie property.

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Whether you find that heartening or disturbing depends on your point of view. Siminoff clearly believes video is an unqualified social good, but some might look at the same statements and see a company founder using a kidnapping to get more of his products into consumers’ hands.

Either way, the discomfort with Search Party isn’t simply about those blue concentric circles in the ad. The feature sits alongside two others — Fire Watch, which crowdsources neighborhood fire mapping, and Community Requests, which allows local law enforcement to ask Ring users in a given area whether they have relevant footage from an incident.

Ring relaunched Community Requests in September through a partnership with Axon, the company that makes police body cameras and tasers, and operates the evidence management platform Evidence.com. (Axon and Ring announced the partnership in April of last year, shortly after Siminoff rejoined the company after stepping away in 2023.)

A previous version of that partnership involved Flock Safety, which operates AI-powered license plate readers. Ring ended that arrangement several days after the Super Bowl ad aired, with Siminoff citing the “workload” it would create when he talked with us.

Asked directly, Siminoff declined to address whether Flock’s reported data-sharing with U.S. Customs and Border Protection also played a role. (Dozens of towns across the U.S. have cut ties with Flock over exactly those concerns.) Still, the timing of Ring’s decision was notable. While Siminoff believes some customers are misreading his products, he knows Ring can’t afford to dismiss their anxieties, particularly right now.

None of this is happening in isolation. Just days ago, NPR reported on its own investigation compiled from dozens of accounts from people who found themselves caught in the Department of Homeland Security’s expanding surveillance apparatus, including U.S. citizens with no immigration status issues at all. O

One woman, a constitutional observer trailing an ICE vehicle in Minneapolis in late January, described a masked federal agent leaning out the window, photographing her, and then calling out her name and home address. “Their message was not subtle,” she told NPR. “They were, in effect, saying, we see you. We can get to you whenever we want to.” 

Siminoff seems to understand deeply that his answers about Ring’s own data practices take on added weight as a result. When we talked, he pointed to end-to-end encryption as Ring’s strongest privacy protection and confirmed that when it’s enabled, not even Ring employees can view the footage since decryption requires a passphrase tied to the user’s own device. He described this as an industry first for residential camera companies. 

The facial recognition question is where things get more tangled. Ring rolled out a feature called Familiar Faces in December, two months before the Super Bowl ad aired. It allows users to catalog up to 50 frequent visitors — family members, delivery drivers, neighbors — so that instead of a generic motion alert, Ring owners get a notification that reads “Mom at Front Door.” Siminoff described the feature enthusiastically during our conversation, saying that he gets alerts, for example, when his teenage son pulls into the driveway.

He compared it to the facial recognition now routine at TSA checkpoints – the implication being that the public has already made its peace with this kind of thing. When asked about consent from people who appear on a Ring camera but never agreed to be catalogued, he said simply that Ring adheres to applicable local and state laws. 

He was also careful when asked whether Amazon draws on Ring’s facial recognition data. “Amazon does not access that data,” he said, then he added: “In the future, if we could see a feature where the customer wanted to opt in to do something with that, maybe you could see that happening.”

He further volunteered that end-to-end encryption is an opt-in feature: users have to manually enable it in the Ring app’s Control Center. But according to Ring’s own support documentation, the tradeoff for enabling it is steep. The full list of features disabled by end-to-end encryption includes event timelines, rich notifications, quick replies, video access on Ring.com, shared user access, AI video search, 24/7 video recording, pre-roll, snapshot capture, bird’s eye view, person detection, AI video descriptions, video preview alerts, virtual security guard, and Familiar Faces, which requires processing in the cloud. In other words, the two things Ring is actively promoting as flagship capabilities — AI-powered recognition of who’s at your door, and true privacy from Ring itself — are mutually exclusive. You can have one or the other but not both.

As for whether Ring users should worry about their footage ending up in front of a federal immigration agency, Siminoff said no — community requests run only through local law enforcement channels — and pointed to Ring’s transparency report on government subpoenas. He didn’t take up what happens when that boundary proves porous.

Unsurprisingly, Siminoff is building toward something bigger than doorbell cameras. Ring has more than 100 million cameras in the field and is now quietly dipping a toe into enterprise security with a new “elite” camera line and a security trailer product. He said that small businesses have been pulling Ring into their spaces already, whether Ring markets to them or not. He’s also open to outdoor drones — “if we could get the cost in a place where it made sense” — and on license plate detection, which Ring’s now-former-partner Flock Safety has made its core business, he declined to say never. (Ring is “definitely not” working on it today, he’d said when asked whether it’s something Ring might explore. After a beat, he added that “it’s very hard to say we’re never going to do something in the future.”)

Siminoff frames all of it through a belief he says he has held from the start of the company, that each home is a node controlled by its owner, and residents should be able to choose whether to participate in neighborhood-level cooperation when something happens. 

Alas, in a moment when an NPR investigation has documented federal agents photographing and identifying civilians who were doing nothing more than observing arrests, and when a kidnapping case has become a national talking point about both cameras and privacy, the question isn’t just about whether Ring’s opt-in framework is designed well. It’s whether what Ring is building — including a network of tens of millions of cameras, AI-powered search, and facial recognition — can remain as benign as Siminoff may well intend it, regardless of who is in power, what partnerships get struck, and how the data flows.



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Apple is reportedly looking into 3D printing aluminum iPhones and Apple Watches

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There could be even more 3D-printed Apple products coming in the future. According to Bloomberg‘s Mark Gurman, Apple is exploring ways to 3D print aluminum to make the manufacturing processes for iPhones and Apple Watches more efficient.

Gurman reported that this new production process could specifically change how Apple makes its watch casings as well as iPhone enclosures. It’s not the first time Apple has tapped into 3D printing, since both the Apple Watch Ultra 3 and Series 11 were partially built with 3D-printed titanium that’s 100 percent recycled. More recently, Apple used its 3D printing process to create the titanium USB-C port for the iPhone Air, which was touted as thinner, stronger and more environmentally friendly.

While Apple is reportedly only looking into 3D-printed aluminum right now, it could possibly result in an overall cheaper manufacturing process and lower starting prices for iPhones. Looking at Apple’s just-announced MacBook Neo, the company introduced a new manufacturing process that saves on the amount of aluminum used, helping to achieve the $599 starting price for its latest entry-level laptop. Like the colorful MacBook Neo, Gurman also reported that Apple is planning to use a “refreshed color palette” for its iMac reveal later this year.



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Oppo’s Find N6 leaks before OnePlus can make a second foldable

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As another year goes by without OnePlus’ second foldable phone, its sister company, Oppo, is getting ready for its fifth release. New Oppo Find N6 leaks give a glimpse of the Android foldable in stunning colors, including orange.

OnePlus is well-known for borrowing the Oppo Find N3 design to develop the OnePlus Open. That device was a good example of a debut phone that did a lot right, and even though the foldable landscape looks nothing like it did in 2024, it’s all we have from the company.

Oppo, on the other hand, is reportedly nearing the release of its fifth model, the Find N6. New leaks courtesy of @evleaks make it apparent Oppo is sticking to a similar design it found in the Find N5. That’s not all bad, considering the previous generation presented a great build.

The Find N6 seems to take the overall thin profile of the N5. It’s almost impossible to confirm whether or not the phone will be thinner based on these images. As much as it’d be easy to say a generational update would improve on build, stagnation isn’t uncommon.

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Of the three images, Oppo’s new orange colorway stands out. It isn’t an exact match to what’s seen in a lot of iPhone and Apple Watch accessories – it’s almost a mango. The other colorways look to be grey and grey (light and dark).

The Find N6 from Oppo still carries a lot of familiar design cues seen in the OnePlus Open, which only reminds us that the company still hasn’t developed a second folding phone. Previous reports detail the Open 2’s specs, but it was ultimately canceled. The phone was expected to be released in Q3 2026, but the company made a call to sit out for another year.

That OnePlus phone was reportedly going to offer an 8.12-inch inner display and a 6.6-inch cover display with a 165Hz refresh rate across the board. A spec sheet for the Snapdragon 8 Elite Gen 5 SoC, 16GB of RAM, and 1TB of storage was also linked to the device. To top it all off, three 50MP cameras on the rear and 80W charging to a 6,000mAh battery.

What could have been.

If you’re sad the OnePlus Open 2 was axed, the Oppo Find N6 will be your best bet to live that reality out.

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Country Joe McDonald, anti-war singer who electrified Woodstock, dies at 84 : NPR


Singer Joe McDonald sings during the concert marking the 40th anniversary of the Woodstock music festival on Aug. 15, 2009 in Bethel, New York. McDonald has died at age 84.

Singer Joe McDonald sings during the concert marking the 40th anniversary of the Woodstock music festival on Aug. 15, 2009 in Bethel, New York. McDonald has died at age 84.

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Country Joe McDonald, the singer-songwriter whose Vietnam War protest song became a signature anthem of the 1960s counterculture, has died at 84.

McDonald died on Saturday in Berkeley, Calif., according to a statement released by a publicist. His health had recently declined due to Parkinson’s disease.

Born in 1942, in Washington, D.C., he grew up in El Monte, Calif., outside Los Angeles, according to a biography on his website. As a young man he served in the U.S. Navy before turning to writing and music during the early 1960s, eventually becoming involved in the political and cultural ferment of the Bay Area.

In 1965 he helped form the band Country Joe and the Fish in Berkeley. The group became part of the emerging San Francisco psychedelic music scene, blending folk traditions with electric rock and pointed political commentary.

The band’s best-known song, “I-Feel-Like-I’m-Fixin’-to-Die Rag,” captured the growing anti-war sentiment of the Vietnam era. With its ragtime-influenced rhythm and sharply satirical lyrics about war and political leadership, the song quickly became associated with protests against the conflict.

McDonald delivered the song to some half a million people at the 1969 Woodstock festival in upstate New York. Performing solo, he led the crowd in a form of call-and-response before launching into the anti-war anthem, turning the performance into one of the defining scenes of the festival.

Country Joe and the Fish released several recordings during the late 1960s and toured widely, becoming closely identified with that era’s West Coast rock and protest movements.

McDonald later continued performing and recording as a solo artist, recording numerous albums across a career that spanned more than half a century. His work drew variously from folk, rock and blues traditions and often reflected his long-standing interest in political and social issues.

Although he became widely known for his opposition to the Vietnam War, McDonald frequently emphasized respect for those who served in the U.S. military. After his own service in the Navy, he remained engaged with veterans’ issues and occasionally performed at events connected to veterans and their experiences, according to his website biography.



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Palmer Luckey’s retro gaming startup ModRetro reportedly seeks funding at $1B valuation

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ModRetro, the vintage gaming startup by Palmer Luckey, is in talks to raise funding at a $1 billion valuation, according to the Financial Times.

The company launched its first product, a Game Boy-style handheld device called the Chromatic, in 2024. The Verge’s Sean Hollister said it “might be the best version of the Game Boy ever made,” but found it hard to separate from Luckey’s reputation as founder of defense tech startup Anduril Industries.

“If Lockheed Martin made a Game Boy, would you buy one?” Hollister asked.

Luckey said last year that he’d been trying to build a Game Boy-inspired device “off and on as a hobby for almost seventeen years now” and described the Chromatic as the result of “hundreds of irrational decisions”  that made it “an uncompromisingly authentic celebration of everything that made the console special.”

The FT reports that ModRetro is working on other devices, including one designed to replicate the Nintendo 64.

Meanwhile, the Trump administration appears to have embraced Luckey’s vision for autonomous weapons, with Anduril reportedly in talks to raise a new funding round at a $60 billion valuation.



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NetEase is reportedly pulling funding for Yakuza creator’s studio

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The hype for Gang of Dragon, the debut game from Nagoshi Studio, may already be getting derailed. According to a Bloomberg report, Chinese tech giant NetEase is going to stop financing Nagoshi Studio starting in May. Bloomberg confirmed the news with the studio’s employees and a NetEase spokesperson.

The report explained that NetEase decided to cut funding to Nagoshi Studio, which was founded in 2021 by Yakuza franchise creator Toshihiro Nagoshi, after finding out the studio needed $44.4 million to complete the project. Bloomberg reported that Nagoshi Studio is trying to find new sponsors but hasn’t had any success so far. The report also added that the studio can continue the project on its own, but would be responsible for paying NetEase for any associated costs to hold onto the brand or assets.

While Nagoshi Studio may have been working on Gang of Dragon since the studio’s creation, the general public got a better look at the title through a trailer announcement during The Game Awards 2025. The action-adventure game set in Tokyo would star Ma Dong-Seok, a South Korean actor who starred in Train to Busan and Marvel’s Eternals. As of now, Nagoshi Studio might be at risk of joining other casualties stemming from NetEase’s executive decisions, like when the tech giant decided to shut down Ouka Studio in 2024.



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