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Pope Leo makes AI’s threat to humanity a signature issue

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Pope Leo XIV is making the threat of AI to humanity a key issue of his legacy, challenging the technology industry that has spent years courting the Vatican. 

The new American pope’s namesake, Leo XIII, stood up for the rights of factory workers during the Gilded Age, a period from the late 1870s to the late 1890s of swift economic change and extreme wealth inequality led by corrupt industrial robber barons.

Speaking to a hall of cardinals last month, the pope said he would rely on 2,000 years of church social teaching to “respond to another industrial revolution and to innovations in the field of artificial intelligence that pose challenges to human dignity, justice, and labor,” reports The Wall Street Journal.

In attempts to shape Rome’s dialogue on AI and, by association, influence governments and policymakers, leaders of Google, Microsoft, Cisco, and other tech giants have flown to the Vatican to preach the good word of emerging technologies. 

The Vatican has pushed for a binding international treaty on AI, something most tech CEOs would say threatens to stifle innovation.



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TV chef Anne Burrell dies at 55 : NPR


Chef Anne Burrell attends City Harvest Presents The 2025 Gala: Carnaval, on April 22, 2025, in New York.

Chef Anne Burrell attends City Harvest Presents The 2025 Gala: Carnaval, on April 22, 2025, in New York.

Andy Kropa/Invision via AP


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NEW YORK — TV chef Anne Burrell, who coached culinary fumblers through hundreds of episodes of “Worst Cooks in America,” died Tuesday at her New York home. She was 55.

The Food Network, where Burrell began her two-decade television career on “Iron Chef America” and went on to other shows, confirmed her death. The cause was not immediately clear, and medical examiners were set to conduct an autopsy.

Police were called to her address before 8 a.m. Tuesday and found an unresponsive woman who was soon pronounced dead. The police department did not release the woman’s name, but records show it was Burell’s address.

Burrell was on TV screens as recently as April, making chicken Milanese cutlets topped with escarole salad in one of her many appearances on NBC’s “Today” show. She faced off against other top chefs on the Food Network’s “House of Knives” earlier in the spring.

“Anne was a remarkable person and culinary talent — teaching, competing and always sharing the importance of food in her life and the joy that a delicious meal can bring,” the network said in a statement.

Known for her bold and flavorful but not overly fancy dishes, and for her spiky platinum-blonde hairdo, Burrell and various co-hosts on “Worst Cooks in America” led teams of kitchen-challenged people through a crash course in savory self-improvement.

On the first show in 2010, contestants presented such unlikely personal specialties as cayenne pepper and peanut butter on cod, and penne pasta with sauce, cheese, olives and pineapple. The accomplished chefs had to taste the dishes to evaluate them, and it was torturous, Burrell confessed in an interview with The Tampa Tribune at the time.

Still, Burrell persisted through 27 seasons, making her last appearance in 2024.

“If people want to learn, I absolutely love to teach them,” she said on ABC’s “Good Morning America” in 2020. “It’s just them breaking bad habits and getting out of their own way.”

Burrell was born Sept. 21, 1969, in the central New York town of Cazenovia, where her parents ran a flower store. She earned an English and communications degree from Canisius University and went on to a job as a headhunter but hated it, she said in a 2008 interview with The Post-Standard of Syracuse.

Having always loved cooking, she soon enrolled in the Culinary Institute of America, for which she later taught. She graduated in 1996, spent a year at an Italian culinary school and then worked in upscale New York City restaurants for a time.

“Anytime Anne Burrell gets near hot oil, I want to be around,” Frank Bruni, then-food critic at the New York Times, enthused in a 2007 review.

By the next year, Burrell was hosting her own Food Network show, “Secrets of a Restaurant Chef,” and her TV work became a focus. Over the years she also wrote two cookbooks, “Cook Like a Rock Star” and “Own Your Kitchen: Recipes to Inspire and Empower,” and was involved with food pantries, juvenile diabetes awareness campaigns and other charities.

Burrell’s own tastes, she said, ran simple. She told The Post-Standard her favorite food was bacon and her favorite meal was her mother’s tuna fish sandwich.

“Cooking is fun,” she said. “It doesn’t have to be scary. It’s creating something nurturing.”

Survivors include her husband, Stuart Claxton, whom she married in 2021, and his son, her mother and her two siblings.

“Anne’s light radiated far beyond those she knew, touching millions across the world,” the family said in a statement released by the Food Network.



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Donald Trump will delay a looming TikTok ban for a third time

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President Donald Trump will, once again, give TikTok a temporary reprieve as it faces another deadline to sell itself or face a ban in the United States. White House Press Secretary Karoline Leavitt confirmed Tuesday that Trump will sign another executive order to extend the deadline.

The latest extension — this time for 90 days — is now the third time Trump has punted on a looming TikTok ban since he took office . “As he has said many times, President Trump does not want TikTok to go dark,” Leavitt said in reported by CNN. “This extension will last 90 days, which the Administration will spend working to ensure this deal is closed so that the American people can continue to use TikTok with the assurance that their data is safe and secure.”

US officials are presumably still negotiating terms of a potential deal that would allow TikTok to remain operational in the United States, though there’s been little news on that front since the in April. A number of are interested in acquiring TikTok’s US business, but officials in China would need to sign off on any agreement. In April, several reports suggested that a deal would likely involve the company’s existing US investors their stakes into a new entity. Those talks by Trump’s tariffs on Chinese imports.



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Google Maps testing Material 3 Expressive redesign on Wear OS

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Google Maps is beta testing a Material 3 Expressive redesign of its watch app ahead of Wear OS 6.

Instead of three side-by-side circles for the microphone, keyboard, and map, Google splits it into two rows of prominent pills. The largest lets you open the map layer followed by search (voice by default).

The shortcuts for Home and Work are just two short pills, with Google no longer showing the address for a more efficient use of space. A teal accent color is leveraged throughout, which is what the mobile app uses. It’s unclear whether this will eventually follow your selected watch face theme. 

You then get a list of Recents with updated containers for the cards. Tap “Show more” to see up to eight places.

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This is followed by a grid of cards for popular searches: Restaurants, Groceries, Coffee, Restrooms, Parking, Parks, ATMs, and Transit stations. Finally, you have Offline maps, Settings, and an account switcher. 

Google has also updated the “Search & go” Tile to be very dense. You can quickly jump to the map layer (which looks unchanged), Home, Work, Recents, and Nearby Places, as well as a “Search” button that hugs the screen.

We’re seeing this with the beta version (25.24) of Google Maps for Wear OS. Overall, Material 3 Expressive makes for a much more lively app compared to how the previous design was just a long list of pills.

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How to watch ‘Beyond Skinwalker Ranch’ season 3 on the History Channel

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In a new episode of “Beyond Skinwalker Ranch” airing on Tuesday, June 17, the team tests the brain of “phenomenon-experiencer” Chris Bledsoe to research his claims to mystical powers to communicate with magical spirits.

The new episode will air at 9:30 p.m. ET on the History Channel. Those without cable can watch the show for free through Philo or DIRECTV each offering a free trial to new users. Sling is another option for streaming the show, and promotional offers are available.

Ex-CIA agent Andy Bustamante and Investigative Journalist Paul Beban investigate a flurry of new and disturbing activity as they continue their forward-recon mission to research areas of high strangeness beyond the borders of Skinwalker Ranch, according to the History Channel’s description of the series.

Below is a look at the series from History’s YouTube Channel:

How can I watch “Beyond Skinwalker Ranch” without cable?

Those without cable can watch the show for free through Philo or DIRECTV each offering a free trial to new users. Sling is another option for streaming the show, and promotional offers are available.

What is Philo?

Philo is an over-the-top internet live TV streaming service that offers 70+ entertainment and lifestyle channels, like AMC, BET, MTV, Comedy Central and more, for the budget-friendly price of $28/month.

What is DIRECTV?

The streaming platform offers a plethora of content including streaming the best of live and On Demand, starting with more than 75 live TV channels.

What is Sling?

Sling TV is the first app-based TV service letting you stream live television and on-demand content over the internet. With Sling TV, you get to choose the television option that’s right for you, including Channel Add-ons, Premiums Add-ons, DVR Plus and more.



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Sam Altman says Meta tried and failed to poach OpenAI’s talent with $100M offers

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Meta CEO Mark Zuckerberg has been on something of a hiring spree lately, trying to staff up Meta’s new superintelligence team with top-tier AI researchers from competing labs. To work on a team led by former Scale AI CEO Alexandr Wang and at a desk physically near Zuckerberg, Meta has reportedly offered employees from OpenAI and Google DeepMind compensation packages worth upwards of $100 million.

OpenAI CEO Sam Altman confirmed those reports on a podcast with his brother, Jack Altman, which was published on Tuesday. However, the OpenAI CEO noted that Zuckerberg’s recruiting efforts have been largely unsuccessful and made sure to throw a few more digs at Meta in the process.

“[Meta has] started making these, like, giant offers to a lot of people on our team,” Sam Altman said on the podcast. “You know, like, $100 million signing bonuses, more than that [in] compensation per year […] I’m really happy that, at least so far, none of our best people have decided to take him up on that.”

The OpenAI CEO said he believed his employees made the assessment that OpenAI had a better chance of achieving AGI and may one day be the more valuable company. He also said he believes Meta’s focus on high compensation packages for employees, rather than the mission of delivering AGI, would likely not create a great culture.

Meta reportedly tried to poach one of OpenAI’s lead researchers, Noam Brown, as well as Google’s AI architect, Koray Kavukcuoglu. However, both efforts were unsuccessful.

Sam Altman went on to say he believes OpenAI’s culture of innovation has been a major key to its success, and that Meta’s “current AI efforts have not worked as well as they hoped.” The OpenAI CEO said he respects many things about Meta but noted he doesn’t “think they’re a company that’s great at innovation.” Later in the podcast, Altman said he believes it’s not enough for companies to catch up on AI — they have to truly innovate to stay ahead.

The OpenAI CEO’s comments highlight some of the challenges that Meta has to overcome in order to build out a successful AI superintelligence lab. Besides bringing on Wang, Meta announced last week that it invested significantly in Wang’s former company, Scale AI. The company has also reportedly nabbed a few star AI researchers, such as Google DeepMind’s Jack Rae and Sesame AI’s Johan Schalkwyk. But there’s more work ahead.

In the coming year, Meta will have to staff up its new AI team while OpenAI, Anthropic, and Google DeepMind operate at full speed. In the coming months, OpenAI is expected to release an open AI model that’s likely to set Meta back in the AI race even further.

Later on in the podcast, Sam Altman described an AI-powered social media feed that seems likely to encroach on Meta’s apps. The OpenAI CEO said he’s curious about exploring a social media app that uses AI to deliver custom feeds based on what users want, rather than the default, algorithmic feed that exists on traditional social media apps.

OpenAI is reportedly working on a social networking app internally. Meanwhile, Meta is experimenting with an AI-powered social network through its Meta AI app. However, it seems that some users are confused by the Meta AI app and have shared some hyperpersonal chats with the broader world.

Whether AI-powered social networks take off remains to be seen. In the meantime, Zuckerberg and Sam Altman seem poised to butt heads over the AI talent race.



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Alfred Brendel, the cerebral pianist with a dry wit, dies at 94 : NPR


Austrian pianist Alfred Brendel at the piano, circa 1970. He died Tuesday at his home in London at age 94.

Austrian pianist Alfred Brendel at the piano, circa 1970. He died Tuesday at his home in London at age 94.

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Austrian pianist Alfred Brendel at the piano, circa 1970. He died Tuesday at his home in London at age 94.

Austrian pianist Alfred Brendel at the piano, circa 1970. He died Tuesday at his home in London at age 94.

Erich Auerbach/Getty Images

Alfred Brendel, the thoughtful Austrian pianist who focused on the classics, has died. A statement from his representative said that Brendel passed peacefully on Tuesday morning at his home in London, surrounded by his family. He was 94.

Praised by The Boston Globe as “one of the defining performers of our age,” Brendel was best known as a performer who fused a keen intelligence with musical clarity. Other players were flashier; other players were, perhaps, more outwardly passionate. But Brendel had legions of ardent admirers.

Even Brendel himself confessed to documentary filmmaker Mark Kidel, who profiled him in 2000, that he found his success something of a mystery. “My career is atypical,” Brendel said. “I have not been a child prodigy. My parents were not musicians — there was no music in the house. I have a good memory, but not a phenomenal one. I’m not a good sight reader. I’m completely at a loss to explain why I made it!”

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Brendel was widely praised for his cerebral, lucid piano playing. But Tim Page, a Pulitzer Prize-winning music critic, says his playing wasn’t for everyone’s tastes.

“Some people found him dry,” Page notes. “Some people found him perhaps a little bit over-scholastic. But there are others who really felt that this was a really first-class musical brain, working on some of the great music in the repertory.”

Alfred Brendel was born in Wiesenberg, in what is now the Czech Republic, on Jan. 5, 1931. He had a peripatetic childhood, spending his early years in what was then Yugoslavia as well as Austria, as the family followed his father around to jobs as an architectural engineer, a businessman, a resort hotel manager and director of a local cinema.

While Brendel had some formal training — including a few years at the conservatory in Graz, Austria — he was largely self-taught. After an appearance in London in the 1970s, his international star began to rise.

Brendel was best known for his interpretations of the standard classical repertoire. Regarding Mozart, he said many players shied away from the composer — either because they didn’t see his work’s complexity and found it too easy, or did see the complexity and found it too difficult.

“When you play the sonatas,” he told NPR in 2004, “you are all alone. And there are relatively few notes that you have to play. And every single one of these notes lays bare. It is a delicate balance between poise and seemingly casual delivery, which is necessary.”

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He was the first pianist to record the complete piano works of Beethoven, with three separate cycles of the 32 sonatas. “Because I am not one of the pianists who learns a piece, plays it and discards it,” he told NPR, “I feel that one should keep in touch with those pieces which are really worth playing and live with them through a lifetime.”

Brendel also wrote volumes of poetry and essays on music. He was known for his wit — a lecture he gave at Cambridge, England, in 1984 was titled “Does Classical Music Have to Be Entirely Serious?” — which extended to a fondness for Dadaist art and a collection of kitsch objects.

Just weeks before his 78th birthday, Brendel retired from public performance, giving his last concert at the gilded Musikverein in Vienna, playing a youthful yet enigmatic piano concerto by Mozart and a solo piece by Liszt, another of his favorite composers. Still, he remained busy, writing, painting and lecturing for years to come.



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End of Abyss is when Metroidvania meets space horror

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You’d assume that the latest game from the studio that made Little Nightmares 2 is going to be a bit spooky and dark, and Section 9’s End of Abyss is that. However, it’s also a little easier to describe and explain: an atmospheric sci-fi shooter with Metroidvania-style exploration.

While there’s no shortage of Metroidvanias to draw inspiration from, when I played a demo at SGF 2025, all I could think of was Alien. It might be the scanner, which the protagonist can use to glean information, spot hidden items and tag room details for further exploration once you’ve got new skills or weapons. Mattias Ottvall, co-creator of the game, praised my tendency to scan everything, which netted me several secret item caches during my demo playthrough.

You’ll have to tag between the scanner and your gun pretty often, too, as biped monsters, spidery little parasites and beefier foes swing their literal heads at you. Fortunately, End of Abyss’ isometric layout is paired with the ability to move and shoot with each analog stick. If things get a little too dicey, your character also has a very forgiving dive roll.

After some early teething issues (scanning an alien zombie instead of shooting it down), the control setup eventually became second nature, and I was tumbling out of the way of an alien golem boss, firing shotgun rounds into its flank. The shotgun, unfortunately, has finite ammo (which you can both craft and find in the world), so I resorted to chipping away with my pistol at a distance.

The brief demo (and teaser trailer) suggest a dark and shady atmosphere similar to the studio’s previous games. Naturally, there’s the occasional scare as you explore this rundown facility.

If you do get overwhelmed, the character gets respawned back into the world — as do the monsters — but any doors unlocked and skills gained are saved. Even better, with a game that centers on exploration, when you come across something that you can’t yet interact with (for example, a weakened wall that could be demolished or a security door that requires a key), scanning it in-game will ‘tag’ the feature on the menu map, making it easier to circle back once you have what you need to progress. During the demo, I unlocked explosives for tackling the weakened walls that were tagged, but I also spotted grapple hook fixtures, presumably for a later point in the game.

The tagging is a nice touch for anyone who struggles to keep track of their path in sprawling Metroidvania games, although this is contingent on how expansive Into the Abyss turns out to be. The original Little Nightmares turned out to be a short, but sweet escape – how deep will the abyss go?

Into the Abyss is coming to PS5, Xbox Series X|S and PC.



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Google teases Pixel 10 while poking fun at iOS 26 on iPhone

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In its continued “Best Phones Forever” series, Google pokes a bit of fun at how many iOS 26 features are “inspired” by Pixel, while also teasing the Pixel 10.

The “Best Phones Forever” series has been going for a while at this point, with Google using the series to point out how iPhone and Pixel co-exist, and occasionally throwing little jabs at the iPhone. Most recently, the “Responding to the Rumors” episode poked fun at a handful of iPhone features that Pixel had first. “Total coincidence.”

Now, that episode is getting a post-WWDC sequel.

In “Responding to MORE Rumors,” iPhone and Pixel talk about the latest iOS 26 features that feel familiar for Pixel owners. Features mentioned include live translation in text messages, Hold Assist, and Call screening. “I mean, what are the chances,” iPhone says. Those features will roll out to the masses alongside iOS 26 later this year.

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The fun little ad ends with iPhone asking “what are you working on for Pixel 10,” with Pixel hesitating to respond.

It’s all in jest, but it’s a really fun little way to say “we did this first” on Google’s part, while also hinting that maybe the Pixel 10 will introduce some new ideas. We’ve heard about some of Google’s plans, including a new “Magic Cue” feature that leaked recently. To Google’s credit, this is a much subtler way to talk about this subject compared to what Samsung opted for.

Notably, we also recently found out that Google is using this ad format in movie theaters, with a brief iPhone and Pixel conversation before reminding the audience to silence their phones ahead of the movie. That’s fairly new, and good timing on Google’s part with a heavy blockbuster season ahead including films such as the live-action How to Train Your Dragon remake, Superman, and Fantastic Four: First Steps all set to screen within the next month.

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Risk of nuclear fight continues to stalk Ukraine peace process (Viewpoint)

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Views expressed here represent those of the author and not necessarily of MassLive or The Republican. Readers are invited to share their opinions by emailing to letters@repub.com.

Residents react after a Russian missile strike

Residents react after a Russian missile hit a multi-story apartment during Russia’s combined missile and drone air attack in Kyiv, Ukraine, Tuesday, June 17, 2025. (AP Photo/Efrem Lukatsky)AP

I think it’s urgent that the current negotiations end the war in Ukraine soon, even if Ukraine has to make territorial concessions and stay out of NATO.



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