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Mass. weather: See rainfall totals from across Bay State during nor’easter

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A late-season nor’easter created windy, wet conditions for most of Massachusetts on Thursday.

With the storm largely in the rearview mirror, rainfall totals released Friday show the heaviest precipitation along the immediate coast with Western Massachusetts largely spared the worst of the impact.

Here are rainfall totals from across Massachusetts, by county:

Barnstable County

Falmouth, 5.51 inches

Pocasset, 4.95 inches

Waquoit, 4.16 inches

Bourne, 4.09 inches

Mashpee, 4.01 inches

Sandwich, 2.88 inches

Barnstable, 2.84 inches

Osterville, 2.75 inches

Dennis, 2.58 inches

Orleans, 2.48 inches

Marstons Mills, 2.41 inches

Brewster, 2.31 inches

Yarmouth, 2.28 inches

Centerbille, 2.16 inches

Truro, 2.11 inches

Eastham, 2.02 inches

Hyannis, 1.89 inches

Chatham, 1.81 inches

Berkshire County

Pittsfield, 0.20 inches

North Adams, 0.09 inches

Bristol County

Lakeville, 4.66 inches

Bliss Corner, 4.46 inches

New Bedford 3.71 inches

Fighton, 3.6 inches

Norton, 3.58 inches

Taunton, 3.54 inches

Attleborough, 3.48 inches

Mansfield, 3.22 inches

Attleboro, 3.20 inches

Acushnet, 3.06 inches

Rehoboth, 2.89 inches

Somerset, 2.63 inches

Swansea, 2.31 inches

Dukes County

West Tirsbury, 5.93 inches

Vineyard Haven, 5.85 inches

Martha’s Vineyard, 4.28 inches

Oak Bluffs, 3.18 inches

Edgartown, 2.82 inches

Essex County

Ipswich, 2.95 inches

Hamilton, 2.73 inches

Gloucester, 2.71 inches

Marblehead, 2.70 inches

Danvers, 2.40 inches

Middleton, 2.25 inches

Beverly, 2.23 inches

West Newbury, 2.18 inches

Beverly, 2.11 inches

North Andover, 2.02 inches

Amesbury, 2.01 inches

Newburyport, 2.01 inches

Haverhill, 1.94 inches

Andover, 1.92 inches

Rockport, 1.91 inches

Groveland, 1.75 inches

Lawrence, 1.65 inches

Methuen, 1.49 inches

Franklin County

Conway, 1.32 inches

Millers Falls, 1.31 inches

Sunderland, 1.29 inches

Conway, 1.24 inches

Ashfield, 1.22 inches

Monrague, 1.17 inches

Leverett, 1.12 inches

Greenfield, 1.11 inches

Orange, 1.08 inches

Bernardston, 1.07 inches

Corlain, 1.02 inches

Buckland, 0.96 inches

Hampden County

Brimfield, 2.29 inches

Holland, 2.12 inches

Monson, 2.10 inches

Springfield, 1.90 inches

Ludlow, 1.82 inches

Hampden, 1.71 inches

East Longmeadow, 1.62 inches

West Springfield, 1.27 inches

Feeding Hills, 1.16 inches

Agawam, 1.13 inches

Westfield, 1.03 inches

Southwick, 0.91 inches

Hampshire County

South Hadley, 1.46 inches

Northampton, 1.36 inches

Easthampton, 1.31 inches

Amherst, 1.27 inches

Florence, 1.25 inches

Williamsburg, 1.10 inches

Westhampton, 0.94 inches

Plainfield, 0.65 inches

Middlesex County

Cambridge, 3.29 inches

Watertown, 3.06 inches

Framingham, 3 inches

Dover, 2.98 inches

Belmont, 2.96 inches

Lexington, 2.93 inches

Waltham, 2.92 inches

Watertown, 2.89 inches

Medford, 2.82 inches

Winchester, 2.74 inches

Lexington, 2.65 inches

Wakefield, 2.65 inches

Natick, 2.64 inches

Holliston, 2.58 inches

Shebron, 2.49 inches

Maynard, 2.48 inches

Melrose, 2.38 inches

Ashland, 2.36 inches

Bedford, 2.35 inches

Melrose, 2.33 inches

Sudbury, 2.31 inches

Acton, 2.30 inches

Hudson, 2.28 inches

Littleton, 2.15 inches

Chelmsford, 2.05 inches

Reading, 2.04 inches

Billerica, 1.90 inches

Littleton, 1.87 inches

Townsend, 1.87 inches

Pepperell, 1.76 inches

Groton, 1.74 inches

Ayer, 1.33 inches

Newton, 1.06 inches

Nantucket County

Nantucket, 2.05 inches

Norfolk County

Weymouth, 4.68 inches

Milton, 3.87 inches

Quincy, 3.83 inches

Randolph, 3.80 inches

Blue Hill Coop, 3.66 inches

Stoughton, 3.45 inches

Braintree, 3.40 inches

Foxborough, 3.31 inches

Norwood, 3.28 inches

Westwood, 3.19 inches

Franklin, 3.12 inches

Bellingham, 3.06 inches

Needham, 2.95 inches

Millis, 2.68 inches

Wellesley, 2.58 inches

Foxborough, 2.40 inches

Plymouth County

Kingston, 7.13 inches

Marshfield, 7.02 inches

Hanover, 6.72 inches

Pembroke, 6.72 inches

Hingham, 6.07 inches

Marshfield, 5.81 inches

Plymouth, 5.79 inches

Carver, 5.07 inches

Cohasset, 4.97 inches

Rockland, 4.96 inches

Wareham, 4.95 inches

Plymouth, 4.76 inches

Hanson, 4.72 inches

Whitman, 4.56 inches

East Bridgewater, 4.44 inches

Rochester, 4.33 inches

Brockton, 4.31 inches

Bridgewater, 3.77 inches

Marion, 3.75 inches

Scituate, 3.60 inches

Suffolk County

Logan Airport, 3.43 inches

Boston, 3.28 inches

Chelsea, 3.06 inches

West Roxbury, 2.59 inches

Worcester County

Harvard, 3.50 inches

Dudley, 3.25 inches

Milford, 2.85 inches

Shrewsbury, 2.68 inches

Grafton, 2.45 inches

Oxford, 2.44 inches

Uxbridge, 2.39 inches

East Brimfield Lake, 2.35 inches

Berlin, 2.29 inches

Northbridge, 2.22 inches

Sturbridge, 2.20 inches

Douglas, 2.18 inches

Lancaster, 2.14 inches

Warren, 2.09 inches

Worcester, 2.08 inches

Buffumville Lake, 2.04 inches

Leicester, 2.01 inches

Harvard, 1.95 inches

Spencer, 1.95 inches

Sterling, 1.95 inches

West Brookfield, 1.93 inches

Ashburnham, 1.92 inches

Westminster, 1.89 inches

Fitchburg, 1.86 inches

Winchendon, 1.73 inches

Barre, 1.66 inches

Birch Hill Dam, 1.40 inches

Lunenberg, 1.40 inches



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Marjorie Taylor Greene picked a fight with Grok

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Last week, Elon Musk’s AI chatbot Grok experienced a “bug” that made it tell users about the “white genocide” conspiracy theory in South Africa, even when prompted with questions that had nothing to do with the topic … and soon after, Grok expressed skepticism over the Holocaust death toll, which it chalked up to a “programming error.”

But with a degree of mental gymnastics that could put Simone Biles to shame, Representative Marjorie Taylor Greene (R-GA) has decided that Elon Musk’s robot baby Grok is too far left.

Image Credits:Twitter/X (screenshot)

“Grok is left leaning and continues to spread fake news and propaganda,” Greene wrote on X.

She shared a screenshot in which Grok says that Greene is a Christian who has expressed her belief in Jesus, but concedes that some Christians are troubled by her support for conspiracy theories like QAnon.

“Critics, including religious leaders, argue her actions contradict Christian values of love and unity, citing her defense of January 6 and divisive rhetoric,” Grok wrote in the screenshot Greene shared.

X was already having a particularly challenging day — the app has been experiencing outages for hours, which could possibly be related to fires that broke out in its Oregon data center yesterday.

But while Greene may be a known peddler of harmful misinformation and conspiracies, she did actually make a great point in the end: “When people give up their own discernment, stop seeking the truth, and depend on AI to analyze information, they will be lost,” she said on X.



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Charles Strouse, composer of ‘Annie’ and ‘Bye Bye Birdie,’ dies at 96 : NPR


Broadway composer Charles Strouse in New York City in 2011. Strouse died May 15, 2025 at 96.

Broadway composer Charles Strouse in New York City in 2011. Strouse died Thursday at 96.

Andy Kropa/Getty Images


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Broadway composer Charles Strouse in New York City in 2011. Strouse died May 15, 2025 at 96.

Broadway composer Charles Strouse in New York City in 2011. Strouse died Thursday at 96.

Andy Kropa/Getty Images

Tony Award-winning Broadway composer Charles Strouse has died. The creator of the hit musicals Bye Bye Birdie, Applause and Annie died at his home in New York City on Thursday, according to a press release shared with NPR by The Press Room. Strouse was 96.

His four children, Benjamin, Nicholas, Victoria and William, shared the news of his passing. He was predeceased by his wife, choreographer Barbara Siman, in 2023 after six decades of marriage.

Strouse was a musical chameleon, said theater historian Laurence Maslon. “Strouse was a great craftsperson. He adopted and adapted his vocabulary to whatever the needs of the particular genre were.”

He could write songs in the style of early rock and roll, like “One Last Kiss” from Bye Bye Birdie, or Depression-era New York, like “You’re Never Fully Dressed Without a Smile” in Annie, or ultra-groovy 1970s New York, as in “But Alive” from Applause.

YouTube

Strouse was classically trained at the Eastman School of Music in Rochester, N.Y., and worked with American composer Aaron Copland. He was making a living playing rehearsal piano for Broadway shows until a stage manager who wanted to be a producer approached him, as he told NPR in 2008.

“And he said to me, ‘I hear you write music,’ ” Strouse recounted. “And I said, ‘Yes, I do.’ He said, ‘I have an idea for a show about teenagers, would you be interested?’ I said, ‘Would I!’ “

The show was Bye Bye Birdie. It opened in 1960 and, even though the New York Times panned it (calling it “neither fish nor fowl nor good musical comedy”), the show became an enormous hit, winning the Tony for best musical. And since then, it’s been one of the most performed shows in community theaters and high schools.

YouTube

“It’s a wonderful feeling. And I am modest, though not humbled in any way,” Strouse told NPR. “But I’m a very lucky man.”

Though he suffered a string of flops afterward, Strouse had another Tony Award-winning smash in 1970 with Applause, a musical version of All About Eve.

Strouse heard even more applause, and in 1977, he won a Tony Award for best score, with Annie, based on the comic strip “Little Orphan Annie.” He said the best-known song from that score, “Tomorrow,” was written in rehearsal, just to cover a set change.

“She found the dog and she had to, in 12 seconds, let’s say, get back to the orphanage,” he explained. “So, we needed a song there.”

Andrea McArdle was 12 years old when she starred in Annie. “My favorite thing was to listen to him play his songs,” McArdle said. “Not every composer is as charming as Charles Strouse is when he plays his music.”

Strouse kept working into his 80s on new projects, at a time when most creators would have been happy resting on their laurels.

“I love composing. I love it,” Strouse said. “You know, and if I’m not composing, if I don’t have a new project or something, I’m rather at a loss of what to do.”

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The best projector for 2025

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If you’re hunting for the best projector, there’s never been a better time to dive in. Projectors aren’t just for movie buffs anymore — they’ve become a great way to upgrade your living room setup, build a cozy home theater or even host an epic outdoor movie night under the stars. Whether you want something ultra-portable or a full-on 4K home cinema experience, there’s a projector out there to fit just about every space and budget.

The cool thing about the projectors you can get today is how versatile they are. Some models are built for gaming, some are designed for streaming your favorite shows and others are tough enough to take camping or on the road. Plus, newer projectors pack in smart features, better brightness and sharper image quality than ever before, making them a real alternative to a traditional TV. No matter what you’re aiming for, we’ll help you find the right projector to upgrade your setup.

Some projectors are for serious cinephiles, projecting sharp 4K video with HDR brightness and hyper realistic colors to a large screen. Others are bright enough to replace your TV for sports or gaming, and some low-cost portable models can be set up for camping or outdoor fun. That’s why we’ve divided this guide into several categories to help you find the right one.

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BenQ

Native resolution: 4K UHD (3840×2160) | Brightness: 2,200 ANSI lumens | Connectivity: HDMI 2.0, USB-A, USB-C, audio out, Wi-Fi 6, Bluetooth 5.0, Chromecast, AirPlay | Weight: 7.9lbs (3.6 kg) | Contrast ratio: 600,000:1

Mainstream projectors need to be jacks-of-all-trades: bright, sharp, colorful and fast, while not costing a fortune. BenQ’s X500i projector fits the bill perfectly thanks to the 4K resolution and high 3,200 ANSI lumen brightness, along with BenQ-’s HDR-PRO technology that delivers accurate colors, high contrast and high detail in shadows for shows like Game of Thrones. At the same time, it includes lens shift and has Android TV built in. As with any DLP projector, however, beware if you’re sensitive to rainbow color artifacts.

$1,949 at Amazon

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Epson

Native resolution: 1080p (1920 × 1080) | Brightness: 3,400 lumens | Connectivity: 2× HDMI, USB-A, composite video, audio out | Weight: 6.17 lbs (2.8 kg) | Contrast ratio: 16,000:1

For a bright and sharp projector on a budget, Epson’s Home Cinema 1080 LCD projector is our pick. It’s rated for 3,400 lumens at the brightest settings, enough for use in ambient light. At the same time, the three-chip system delivers 1080p video that’s sharp enough for movies, sports and gaming. Another plus is its light 5.7 pound weight, which makes installation easy and allows you to take it down for the odd outdoor film festival. As is typical in this price range, though, it lacks HDR and contrast is mediocre.

$600 at Adorama

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Epson

Native resolution: 4K PRO-UHD (3840 × 2160) | Brightness: 2,500 lumens | Connectivity: 2× HDMI 2.1, USB, Ethernet | Weight: 28 lbs (12.7 kg) | Contrast ratio: Up to 1,200,000:1

Cinephiles looking for a sharp, bright and color accurate long-throw projector should consider Epson’s LS11000. This LCD laser projector offers features you’d normally find on much more expensive projectors, like 4K resolution (via quad pixel-shift technology), motorized lens zoom and shift capabilities and HDR10+ with a wide color gamut. It’s also great for gamers, thanks to the high-bandwidth HDMI 2.1 inputs, 120Hz refresh rate and <20ms input lag. The laser light source is rated at 20,000 hours and delivers up to 2,500 ANSI lumens of brightness. However, as with other LCD projectors, it’s not quite as sharp as comparable DLP models.

$3,899 at Amazon

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Hisense

Native resolution: 4K UHD (3840 × 2160) | Brightness: 3,000 ANSI lumens | Connectivity: 3× HDMI (including HDMI 2.1), USB, Ethernet, Wi-Fi, Bluetooth | Weight: 19.8 lbs (9 kg) | Contrast ratio: 3,000:1

Hisense is a leader in ultra short throw projectors and the triple-laser PX3-Pro is its best model yet. It delivers an impressively bright 3,000 ANSI lumens and 4K image at up to 120Hz (1080p at 240Hz), while offering support for all major HDR formats including HDR10+ and Dolby Vision. Colors are extremely accurate with 110 percent BT.2020 coverage, better than any TV. And for gamers, the PX3-Pro is the first UST projector designed for Xbox thanks to the high refresh rate and HDMI 2.1 inputs. To top all that off, it’s IMAX Enhanced and includes Google TV, Dolby Atmos and Harmon Kardon speakers. It’s not cheap at $3,500, but is better than more expensive models from LG and Samsung.

$3,498 at Amazon

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Formovie

Native resolution: 4K UHD (3840 × 2160) | Brightness: 1,900 ISO lumens | Connectivity: HDMI, USB, Wi-Fi, Bluetooth | Weight: 16.5 lbs (7.5 kg) | Contrast ratio: 3,000:1

Though not as well known as some brands, Formovie builds some of the best UST projectors. The Cinema Edge is priced toward the budget side of the market but still offers premium features like a 120-inch 4K image, HDR10 and 2,100 lumen brightness. Details and contrast are strong, though color rendering isn’t the best. The main advantage of the Cinema Edge is the small size and ability to set it up close to a wall.

$1,799 at Amazon

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NEBULA

Native resolution: 1080p (1920 × 1080) | Brightness: 300 ANSI lumens | Connectivity: HDMI 2.1, USB-C, AUX-out, Wi-Fi, Bluetooth | Weight: 2.1 lbs (0.95 kg) | Contrast ratio: 462:1

Anker has a lot of great portable outdoor (battery powered) projectors, but the Nebula Capsule 3 is the best in terms of performance and price. It uses a laser light source and DLP chip to beam a 1080p image for up to 2.5 hours, enough for a full movie under the stars. And it comes with Google TV for streaming if you’re closer to a Wi-Fi signal. Yes, brightness is limited to 300 ANSI lumens, but that’s an issue with most portable projectors and it’s still easily bright enough for its intended nighttime usage.

$600 at Amazon

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Optoma

Native resolution: 4K UHD (3840 × 2160) | Brightness: 4,000 ANSI lumens | Connectivity: 2× HDMI, USB, 3.5mm audio out, RS232, Ethernet | Weight: 9.9 lbs (4.5 kg) | Contrast ratio: 500,000:1

Cinephiles may focus on color accuracy when it comes to projectors, but brightness, resolution and speed rule for gamers. The Optoma UHZ66 hits those targets dead center thanks to the super-bright laser light source that pumps out an incredible 4,000 ANSI lumens, 4K resolution, up to a 240Hz refresh rate at 1080p and latency of just 4.4 ms in Gaming Mode. It actually has decent color accuracy with HDR10 support, so it’s not bad for general entertainment as well including TV, sports and movies. The biggest issue with the UHZ66 is fan noise, if you’re sensitive to that.

$1,999 at Adorama

For a deep dive on projector technology check my previous explainer, but there are few key things to keep in mind. What will the projector mainly be used for? What type of room will it be used in? And how big of an image do you want? You’ll also see a variety of specifications that may be confusing, so here are a few to consider and what they mean.

Brightness is measured in ANSI lumens; the brighter the projector, typically the more expensive it will be. 1,500-2,500 lumens is good for darkened rooms, 3,000-4,000 lumens allows you to see with some ambient light and 4,000+ lumens is bright enough to use in direct sunlight. High contrast is important, because projectors are more sensitive to things like ambient light and reflections.

Digital light processing units (DLPs) used by Optoma, BenQ, LG and others allow bright 4K images. The negative is that they can produce a “rainbow” effect, or red/blue/green artifacts that affect some viewers more than others. LCDs are used mainly by Epson, but also Sony and Sanyo. Those are often brighter, more color accurate and don’t produce rainbow effects, but are also more expensive and susceptible to image degradation over time.

If you want a true 4K projector, beware: only expensive models have native 4K resolution (many movie theaters still use 2K projectors for various reasons). However, most DLP projectors and some LCD models can use pixel-shifting to attain 4K resolution.

Elite Starling motorized screenElite Starling motorized screen

Elite Starling

Projectors can’t produce anywhere close to the amount of light required to qualify as true HDR. Rather, they use a technique called tone mapping to fit the entire HDR gamut into a lower brightness range. That said, many projectors can display millions of colors, with some models surpassing the color accuracy of TVs and monitors.

Classic projectors and screens can be mounted on the ceiling so they’re great if you have no floor space. They can also project a larger video for a truly cinematic experience. UST projectors mount on the floor right next to the screen so they can take the place of a TV. They don’t beam as big an image but are generally brighter, sharper and more expensive. For best results, they require special screens.

Ceiling mounting requires some work and don’t forget to budget for a bracket and any necessary long cables, including extra power for a Google Chromecast or other streaming device. UST projectors require less labor, but getting the image perfectly square can still be surprisingly time-consuming. As for fan noise, some projectors (usually cheaper DLP models) generate more than others.

For more flexibility with location and image size, ceiling mounted projectors need a good zoom range. Lens shift, meanwhile, is used if the projector is mounted higher or lower relative to the screen than recommended by the manufacturer. Otherwise, you might have to use a “keystone correction” to digitally stretch part of the image, resulting in distortion or artifacts. Also, keystore correction may not work in gaming modes for some models.

If you’re interested in a projector for gaming, look up the refresh rate and input lag figures. Some projectors offer good numbers in that regard (240Hz and <20 ms, respectively), but others designed for home entertainment have very poor input lag and refresh rates at just 60 Hz. If it’s streaming you want, be sure to pick a model either with built-in Google TV or a bundled streaming dongle.

Should you project onto a wall, roll-down screen, fixed screen or ambient light rejecting (ALR) screen? The choice depends largely on the room and what kind of projector you have. Roll down screens take up no space as they’re ceiling mounted, fixed screens can be moved easily and ALR models are perfect in rooms with a lot of ambient light.

Yes, because higher resolution is more noticeable on larger screens, so 4K is particularly useful with projectors since they beam images up to 200 inches in size. That being said, brightness and contrast are more important.

Projectors can provide a more immersive experience thanks to the large screen, but they’re not necessarily “better.” Since you usually have to dim the lights with a projector, TVs are superior for everyday use.

Yes, 2000 lumens is easily bright enough, even with some ambient light in the room. However, the image will still be hard to see with the windows open on a bright day.

That depends on your budget and needs. If your budget is below $1,000, look for a 1080p projector with the best brightness and contrast. Between $1,000-$2,000, you’ll need to weigh whether brightness or 4K resolution is most important. Above that, choose the brightest 4K projector you can afford.

The best projectors in daylight are ultra short throw (UST) models, as they have the brightest and sharpest image. However, they generally cost more than $2,000.

Technically, you don’t need a screen to use a projector — any light-colored, smooth wall can work in a pinch. But if you want to get the most out of your projector, a screen can make a difference. Projector screens are designed to reflect light evenly and enhance contrast, so colors look more vibrant and the picture appears sharper. With a screen, you’ll notice darker blacks and brighter colors, which can give a real boost to your movie nights or gaming sessions. So while you can absolutely enjoy a projector without one, a screen can make the experience feel a bit more like your own personal theater.

It depends on how and where you plan to use it. If you want a projector you can easily move around, bring to friends’ houses or set up indoors or outdoors easily, a portable projector is a great choice. They’re usually smaller, lightweight and often have built-in speakers and batteries, making them convenient for on-the-go use.

On the other hand, if you’re looking for a more permanent setup for a home theater or living room, a home projector might be the way to go. Home projectors tend to be more powerful, with higher resolution and brightness, which gives you that crisp, cinema-quality experience. They’re ideal if you have a dedicated space and don’t mind leaving it set up in one spot.



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Google Discover redesign emphasizes site names 

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After going full-width last month, a smaller redesign to Google Discover emphasizes the site/publisher name on Android and iOS.

There’s now a bar above the cover image that notes the site name and logo, which is a larger circle. This is also the case with YouTube channels and other card categories. Since that no longer appears in the bottom-right, the publish time moves to that corner. The heart and overflow menu are unchanged on the other side.

The compact card layout puts the headline at the left and square image to the right. 

Old vs. new

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When scrolling the feed, the publisher name now stands out a great deal with all the changes. It’s helpful when skimming the Discover feed for something to read.

We’re seeing this Discover site name change with the stable and beta Google app on Android, as well as the Google Search app for iOS, over the past few days.

More on Google Discover:

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Asking Eric: Our friend was ‘annoyed’ to host my wife and me during an emergency

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Dear Eric: I have been friends with “Bill” for more than 25 years. When the fire started in the Pacific Palisades, we had to evacuate our home. My wife and I went to one friend’s condo for two nights, then to another couple’s house for four nights and then we went to Bill and his wife’s guest house, which is separate from the main house.

We bought dinner for the four of us from a nice restaurant and we tried to stay out of their way as much as possible. (I should note, they had hosted another couple the first few nights after the fire before we came some days later.)

Bill and I often go to sporting events together. While I was with him for the Super Bowl this year, he told me, “you know, we really did not like that you stayed with us. We were annoyed to have you after the other couple had moved out, but we felt obligated.” I was shocked, as we never had an argument in 25 years of friendship.

I did not say anything then, but since the Super Bowl, I have not contacted him or communicated. My wife is very angry with them. (We sent a “thank you” gift package to them a week after we left. Fortunately, our home was spared damage, and we’ve returned to it.) He has not contacted me either, but sometimes we go for a while without calling each other.

I really do not want to end a friendship of such long standing. I am debating on telling him I was surprised, I was angry and I was hurt by his statements, or saying nothing and see if he contacts me as if all is “normal.” What do you think?

—Bruised Friendship

Dear Friendship: Bill’s response is callous. I simply can’t imagine saying something like that to a friend. It’s human to feel annoyed when stretched thin or stressed, but everyone can agree that the fires were devastating and called on everyone to show up for each other and for the region.

I understand the tough position you’re in. You’ve been good friends for a long time. Personally, I wouldn’t want to be around anyone who thought of me as an obligation while in a time of need. But you can extend him the grace he didn’t extend you.

In an ideal world, he’d apologize. But it seems there are other things going on with him and his wife, so you’re unlikely to get it. However, if you want to salvage the friendship, you can reach out and tell him that you want to move past this, and you hope he does, too.

Be sure to keep communicating with your wife as you’re doing this. If Bill is so willing to treat you badly in an emergency, there are possibly other ways the friendship isn’t serving you. She might see them and help you avoid them. She also might be done with Bill altogether. But, if you so desire, you’ll be able to return to sports outings, casual conversation and any other parts of the friendship that uplift you.

(Send questions to R. Eric Thomas at eric@askingeric.com or P.O. Box 22474, Philadelphia, PA 19110. Follow him on Instagram and sign up for his weekly newsletter at rericthomas.com.)

©2024 Tribune Content Agency, LLC.



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After Klarna, Zoom’s CEO also uses an AI avatar on quarterly call

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CEOs are now so immersed in AI, they’re sending their avatars to address quarterly earnings calls instead of themselves, at least partially.

After the Klarna CEO’s AI avatar appeared on an investor call earlier this week, Zoom CEO Eric Yuan followed suit, also using his avatar for initial comments. Yuan deployed his custom avatar via Zoom Clips, the company’s asynchronous video creation tool.

“I am proud to be among the first CEOs to use an avatar in an earnings call,” he — or rather his avatar — said. “It is just one example of how Zoom is pushing the boundaries of communication and collaboration. At the same time, we know trust and security are essential. We take AI-generated content seriously and have built in strong safeguards to prevent misuse, protect user identity, and ensure avatars are used responsibly.”

Yuan has long advocated for using avatars in meetings and has previously said that the company aims to create digital twins of users. He’s not alone in this vision; the CEO of AI-powered transcription service Otter is reportedly training his own avatar to share the workload.

Meanwhile, Zoom said that it is making the custom avatar add-on feature available to all users this week.



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Charles Strouse, Broadway composer of ‘Annie’ and ‘Bye Bye Birdie,’ has died at 96 : NPR




STEVE INSKEEP, HOST:

The composer of the musicals “Bye Bye Birdie,” “Applause” and “Annie” has died. Charles Strouse spent his last hours at home in New York. He was 96. If you did not know his name, you may well know the music that we will hear from reporter Jeff Lunden.

JEFF LUNDEN: Charles Strouse was a musical chameleon, says theater historian Laurence Maslon.

LAURENCE MASLON: Strouse was a great craftsperson. He adopted and adapted his vocabulary to whatever the needs of the particular genre were.

LUNDEN: He could write songs in the style of early rock ‘n’ roll…

(SOUNDBITE OF SONG, “ONE LAST KISS”)

UNIDENTIFIED ACTOR #1: (As character, singing) Oh, one last kiss. Oh, give me one last kiss.

LUNDEN: …Or Depression-era New York…

(SOUNDBITE OF SONG, “YOU’RE NEVER FULLY DRESSED WITHOUT A SMILE”)

UNIDENTIFIED ACTOR #2: (As character, singing) Hey, hobo man. Hey, Dapper Dan. You’ve both got your style, but brother, you’re never fully dressed without a smile.

LUNDEN: …Or ultra-groovy 1970s New York.

(SOUNDBITE OF CHARLES STROUSE SONG, “BUT ALIVE”)

LUNDEN: Strouse was classically trained at the Eastman School of Music and worked with American composer Aaron Copland. He was making a living playing rehearsal piano for Broadway shows when a stage manager, who wanted to be a producer, approached him, he told me in 2008.

(SOUNDBITE OF ARCHIVED RECORDING)

CHARLES STROUSE: He said to me, I hear you write music. And I said, yes, I do. He said, I have an idea for a show about teenagers. Would I be interested? I said, would I?

(SOUNDBITE OF SONG, “THE TELEPHONE HOUR”)

UNIDENTIFIED GROUP #1: (As characters, singing) Did they really get pinned? Going steady.

UNIDENTIFIED GROUP #2: (As characters, singing) She saw him.

UNIDENTIFIED GROUP #1: (As characters, singing) I was hoping they would. Going steady.

UNIDENTIFIED GROUP #2: (As characters, singing) She loved him.

UNIDENTIFIED GROUP #1: (As characters, singing) Now they’re living at last. Going steady.

UNIDENTIFIED GROUP #2: (As characters, singing) She never.

UNIDENTIFIED GROUP #1: (As characters, singing) Going steady for good.

UNIDENTIFIED GROUP #2: (As characters, singing) If you got to go, that’s the way to go.

LUNDEN: The show was “Bye Bye Birdie.” It opened in 1960, and even though The New York Times gave it a pan – calling it neither fish nor fowl nor musical comedy – it became an enormous hit, winning the Tony for best musical. And since then, it’s been one of the most performed shows in community theaters and high schools.

(SOUNDBITE OF ARCHIVED RECORDING)

STROUSE: It’s a wonderful feeling. And I am modest, though not humble in any way, but I’m a very lucky man.

LUNDEN: And he became a very rich man. Though he suffered a string of flops afterwards, Strouse had another Tony Award-winning smash with “Applause,” a musical version of “All About Eve” in 1970.

(SOUNDBITE OF SONG, “APPLAUSE”)

UNIDENTIFIED ACTOR #3: (As character, singing) ‘Cause you’ve had a taste of the sound that says love – applause, applause, applause.

LUNDEN: Strouse heard even more applause and won a Tony Award for best score with “Annie,” based on the comic strip, “Little Orphan Annie” in 1977. He said the best-known song from that score, “Tomorrow,” was written in rehearsal to cover a set change.

(SOUNDBITE OF ARCHIVED RECORDING)

STROUSE: She found the dog, and she had to, in 12 seconds, let’s say, get back to the orphanage. So we needed a song there.

(SOUNDBITE OF SONG, “TOMORROW”)

ANDREA MCARDLE: (As Annie, singing) The sun will come out tomorrow. So you got to hang on till tomorrow, come what may. Tomorrow, tomorrow. I love you. Tomorrow. You’re always a day away.

LUNDEN: Andrea McArdle was 12 years old when she starred in “Annie.”

MCARDLE: My favorite thing was to listen to him play his songs. Not every composer is as charming as Charles Strouse is when he plays his music.

(SOUNDBITE OF ARCHIVED RECORDING)

STROUSE: (Singing) Gray skies are going to clear up. Put on a happy face.

(APPLAUSE)

STROUSE: (Singing) Brush off the clouds and cheer up. Put on a happy face.

LUNDEN: That’s Charles Strouse singing probably his most famous song, “Put On A Happy Face” from “Bye Bye Birdie.” The composer kept working into his 80s on new projects at a time when most creators would have been happy resting on their accomplishments.

(SOUNDBITE OF ARCHIVED RECORDING)

STROUSE: I love composing. I love it, you know. And if I’m not composing, if I don’t have a new project or something, I’m rather at a loss of what to do.

LUNDEN: For NPR News, I’m Jeff Lunden in New York.

(SOUNDBITE OF SONG, “SMASHING N.Y. TIMES”)

STROUSE: (Singing) Terrific daily news. We do our shows, and what does it all mean?

INSKEEP: We’re listening to a song there where Strouse sings himself about lousy theater reviews, if I understand it correctly.

A MARTÍNEZ, HOST:

(Laughter) I thought that was you for a second there, Steve. You sound exactly like him.

INSKEEP: (Laughter) No, no. His compositions also include a super famous TV theme to “All In The Family.” (Singing) Those were the days.

MARTÍNEZ: See, I think I could do the Jean Stapleton part of it. It’s…

INSKEEP: Go ahead. Go ahead. You got a few seconds. Hit the high note.

MARTÍNEZ: Edith – I can’t do it. I can’t. No, no, I won’t even try. I won’t even disrespect their legacy by trying.

INSKEEP: (Vocalizing).

It’s MORNING EDITION from NPR News. Our theme music was inspired by BJ Leiderman. I’m Steve Inskeep.

MARTÍNEZ: And I’m A Martínez.

(SOUNDBITE OF SONG, “SMASHING N.Y. TIMES”)

STROUSE: (Singing) Just lovely.

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The Westfield News Scoreboard: No. 1 Westfield blanks No. 8 West Side in PVIAC Class A softball quarterfinals, 16-0

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WESTFIELD – It was Bombs away for top-seeded Westfield in the Pioneer Valley Interscholastic Athletic Conference Class A softball quarterfinals as the Bombers clubbed two home runs in defeating No. 8 West Springfield, 16-0, May 21 at home.

Westfield senior pitcher Shea Hurley recorded 13 strikeouts in the process of tossing a one-hitter. She walked none.

Jaylianie Santiago launched a three-run home run in the bottom of the first inning. Grace Trempe blasted a two-run homer in the second.

Westfield (13-6) finished the game with a total of 16 hits. The Bombers No. 7 hitter, Emma Nelson went 3-for-4.

Westfield advances to play No. 5 Longmeadow (12-7) in the PVIAC Class A softball semifinals May 25 at home at 2 p.m.



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The FTC will finally stop challenging Microsoft’s purchase of Activision Blizzard

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The Federal Trade Commission has finally given up the ghost on challenging Microsoft‘s $68.7 billion purchase of Activision Blizzard. “The Commission has determined that the public interest is best served by dismissing the administrative litigation in this case,” the agency said in an issued today.

The federal regulator had attempted to block Microsoft’s acquisition of Activision Blizzard both before and after the deal closed back in October 2023. The FTC just lost out on its latest appeal against the merger . The Ninth Circuit Court of Appeals ruled that the FTC had not successfully argued several points of its case for a preliminary injunction against the merger, which is one of the biggest acquisitions in the video game industry.

“Today’s decision is a victory for players across the country and for common sense in Washington, D.C. We are grateful to the FTC for today’s announcement,” Microsoft President and Vice Chair Brad Smith on X about the dismissal.



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