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The best DACs for Apple Music Lossless in 2025

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Apple Music is one of the few streaming services that offers high-resolution audio (aka “lossless”) at no extra charge. But enjoying that extra quality on your phone usually requires some extra hardware. That is the purpose of this guide, — to help you find exactly what you need depending on how you prefer to listen. Every product listed below will help you squeeze more audio quality out of your Apple Music subscription. In fact, whatever music service you use, your listening experience will be enhanced. Best of all, most of these recommendations are compatible with Android, Mac and Windows devices, too.

Fortunately, as data plans become more generous and technology advances, listening to these larger-files in their full glory is less of a challenge. There are still some hardware hurdles though, especially if you use AirPods (or any wireless headphones) as Bluetooth technology is theoretically capable of delivering some higher-resolution audio, and Apple products don’t support the required technology (codecs such as Aptx, LDAC etc.). Confusingly, there are also different levels of “lossless” on Apple Music, with standard “CD quality” audio and then “Hi-Res Lossless” files that are recorded at even higher data rates. But don’t worry, we have a solution for you below, no matter how you prefer to listen to your music.

Of course, a DAC or dongle is only part of the equation — your headphones or speakers are also just as important. So if you’re looking for the absolute best audio experience be sure to check out our guide to the best headphones. Although these options are wireless, many can be used with a cable, too, making them the perfect pairing for our recommendations below.

Best DACs for 2025

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James Trew for Engadget

Fiio’s affordable KA11 dongle contains a DAC with a maximum resolution of 32bit/384kHz — which is well above Apple Music’s top-tier “Hi-Res” lossless format (24bit/192kHz) — so you can be sure that you’re getting every last bit of quality out of whatever you’re listening to. Best of all, the KA11 is powerful, too, with a higher volume output than Apple’s on headphone adapter (more on this below). At around $30, this dongle is the best bang for your buck when it comes to upgrading the audio experience on your iPhone, Android, PC or Mac. There’s even a Lightning version available for those with older iPhones and iPads.

We particularly like the simplicity of Fiio’s KA11 as it’s plug-and-play with no need to charge it. It’s only slightly bigger than a typical headphone adapter and it comes with a rugged, woven cable, so it can handle a lot of wear and tear. There’s even a small LED on the front that lets you know if you’re listening to standard, high, or higher-resolution files so you can be confident you’re getting the most out of your music in real time.

$33 at Amazon

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Apple

Yes, it’s the Apple headphone adapter you know and (maybe) love, but it’s worth considering if you want something super lightweight and even more affordable. Apple’s dongle doesn’t support the larger, Hi-Res files available on its music service, but it can handle the standard lossless (24bit/48kHz) format no problem. As you’d expect, it’s available in Lightning and USB-C versions depending on which Apple device you’re connecting it to.

Sure, the most demanding listeners might lament the lack of support for the higher resolutions, and it can be a little quiet with some headphones that are high impedance (typically more expensive “audiophile” models). For the vast majority of users, though, Apple’s dongle will do the job. If you’re not sure, check the manual for your headphones and look for Impedance (often listed as Ohms) — anything below around 150Ohms and you should be fine. Anything above that, and you might want to consider Fiio’s dongle instead.

$15 at Adorama

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iFi

While this guide is primarily focused on Apple Music, most of the gear here will unlock lossless audio no matter where you listen. If Tidal is your platform of choice, you might be familiar with the MQA codec, which the company used for its high-resolution audio until eventually switching to FLAC in 2024. MQA might not be as common in streaming anymore, but if you still want to make sure you can listen to music from stores or services that provide it, the iFi GO Link will have you covered, along with the standard Apple Music high resolution audio formats, and anything else, up to 32-bit/384kHz.

$59 at Macy’s

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James Trew for Engadget

Sennheiser’s BTD700 is a wireless adapter that plugs into your phone, upgrading its Bluetooth capabilities with the latest high-resolution codecs such as Aptx Adaptive and Aptx Lossless. iPhones don’t support any of these natively, but with this small dongle, you can unlock the full potential of Bluetooth audio and the higher bitrates (and in theory audio quality) Aptx Lossless offers. There’s a small caveat, though: you will need Bluetooth headphones that also support one of these codecs such as these or these (or check the product page of the set you own or are considering).

The BTD700 is simple to use, just plug it in to your phone’s (or other device’s) USB-C port, pair your headphones to it and off you go. An LED on the dongle lets you know which of the six different Bluetooth “qualities” (codecs) you’re enjoying so you will know when you’re listening to lossless audio. The handy part? Once you’ve paired your headphones with the dongle, you won’t need to re-pair if you connect the BTD700 to a PC or Mac. This little adapter effectively gives anything with a USB-C port an audio upgrade, and there’s even a low-latency mode for gaming. Note, there’s no Lightning option here, so if you’re on an older phone you might have to live with using an adapter.

$60 at Macy’s

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James Trew for Engadget

If you’re looking to take things to the next level without spending “high-end” money, there’s a lot to love about the Melody DAC from Snowsky. Unlike a simple dongle, the Melody has onboard controls and two headphone jacks. One of those is for regular 3.5mm headphones, but the other is for 4.4mm “balanced” headphones, which means the Melody can grow with you if your audio journey takes you deeper into the world of audiophilia.

The wood finish gives it a classy feel and although it’s light, it still delivers that quality “Hi-Fi” feel. As for sound quality, there’s support for 384K/32bit sample rates, which covers everything Apple Music can deliver. The built-in amplifier can easily go louder than you should probably ever listen and there are other luxuries, too, such as support for inline microphones — so you can still handle calls and take meetings on your phone. We also love that you can tailor the sound to your preference via the Fiio Control companion app.

$40 at Amazon

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Fanmusic

While you can squeeze an impressive amount of audio tech into a headphone adapter, a slightly bigger device affords a decent step up in both specs and features. Moondrop’s Moonriver T2i DAC is slightly larger than a pack of gum, and it has a stylish design that doesn’t look like a boring, generic dongle.

Importantly, the Moonriver T2i builds on the success of the company’s Moonriver 2 DAC. The “2” partly refers to the use of dual DAC chips here, which delivers a “balanced” signal. Each channel can handle up to 32bit/384KHz resolution and there are two headphone ports. One for standard 3.5mm headphones and another for 4.4mm connections — making use of that balanced output. If this is your first step into the world of Hi-Fi DACs, you’re totally fine with 3.5mm headphones, but some prefer the 4.4mm connector as it provides more power and potential signal benefits, especially if you’re using a headphone amp.

With the Moonriver T2i you have a couple more practical advantages. For one, there are physical volume controls on the device itself. If you ever felt that the 16 levels of loudness on the iPhone (I just counted) weren’t enough, then the 100 steps of adjustment on the Moonriver T2i (via companion software) eliminate any worries about setting the music to the perfect level. If your headphones have an in-line microphone, the good news is that this dongle will pass that through to your phone or PC so you won’t need a separate device for calls.

Most importantly, the sound that comes out of the Moonriver T2i is bright and bold. You’ll hear audiophiles talk about sound stage, detail and width, all you need to know is that this DAC ticks off all the buzzwords and serves up bright, robust sound that’s going to make any lossless/hi-res music really shine.

$198 at Amazon

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FiiO

Who said a DAC needs to be a dongle? If you’re looking for something a little more all-in-one then the SP3 BT active speakers from Fiio are a great option. We like that, for the same price as many standalone DACs, you have everything you need to decode high-resolution music from almost any source with USB-C and Aux inputs for phones along with standard Hi-Fi connections such as optical, RCA and coaxial.

These speakers didn’t make it to our testing bench, but the SP3 BTs regularly receive praise for their sound and premium build quality at a reasonable price. For Bluetooth listening, there’s support for both Aptx Adaptive and HD along with Sony’s rival LDAC making these speakers something of an audio swiss-army knife. While these speakers will make a perfect companion to your home office or workspace, they can easily find a home in your living room or den connecting to any other music players you might have (for vinyl you’ll still need a pre-amp).

$350 at Amazon

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James Trew for Engadget

If you’ve had some experience with DACs and are looking to ratchet things up a notch or three, then the Mojo 2 from British company Chord wants to have a word. At $650, this is definitely in the high-end price range, but the experience and features it offers make it worth considering for serious audiophiles. But the brains behind the Mojo 2 have been making digital to analog converters pretty much since there was digital music to even convert. That experience is what makes the Mojo 2 a favorite among music fans.

Most options in this guide are designed for mobile devices first, the Mojo 2 is more of a hybrid device. The mobile dongles above all take their power from the player you connect them to, which is convenient, but obviously is less kind to your phone’s battery life. The Mojo 2 has an internal cell so won’t tax the one in your phone or laptop. It’s small enough to be portable, but substantial enough to live on your desk.

Unlike most DACs that use off the shelf chips to handle the digital-to-audio conversion, the Mojo 2 uses field programmable gate array (FPGA) technology to create its own custom “chip.” It’s also powerful enough to act as both a DAC and a preamp, driving even power-hungry headphones with ease. We’ve seen FPGA gain popularity in gaming circles for its ability to imitate various consoles, but that same flexibility is what makes it interesting to the audio engineers at Chord.

If you need something that’s capital L loud, then the Mojo 2 will not disappoint. Proceed with caution here. It’s actually powerful enough to drive two pairs of headphones at the same time and has two 3.5mm ports so you can do exactly that. The curious circular buttons can also be used to change sound profiles with an excruciating level of detail.

The Mojo 2 has standard USB-C, microUSB, optical and coax inputs so it’s more flexible than a lot of its competition in this regard. Although it’s worth noting that you can only charge the Mojo 2 via microUSB. Of course, there’s a cable provided for this, but if you’ve fully made the switch to USB-C, it’ll mean you have to guard the charging cable closely.

$643 at Amazon

DAC FAQs

What does DAC stand for?

DAC stands for digital to analogue converter. A digital-to-analog converter takes the digital (D) music from your phone or computer and converts (C) it into analog (A) sound you can hear. All phones and PCs have them, but since handsets moved to USB-C, Lightning or Bluetooth for music, the task of converting that signal was generally outsourced to either your adapter or your wireless headphones.

DACs can be used with phones, laptops and desktops but tend to be much simpler than a regular external audio interface. One basic distinction is that DACs are usually for listening only whereas an audio interface might have ports to plug in microphones and instruments (but an external audio interface is also technically a DAC). Some high-end DACs even include XLR outputs for better connectivity with professional audio equipment.

The best DACs tend to be lightweight, making them more suitable for mobile use, although it still gets a little tricky with the iPhone as you still might need to add another dongle to make it play nice with Lightning. Also, not all DACs support all the higher audio resolutions like DSD. Most standalone DACs require external power or an onboard battery, though some can use the power from whatever you plug them into — in which case expect a hit to your battery life.

Why do I need new hardware to listen to music?

The short answer is, you don’t. You can play “hi-res” audio files on most phones and PCs, you just might not be getting the full experience. If your device’s audio interface tops out at 44.1 or 48kHz (which is fairly common and covers the vast majority of music online) then that’s the experience you’ll get. If you want to enjoy better sounding music at a higher sample rate and bit-depth (aka resolution), you’ll need an interface that supports it and wired headphones, potentially using a headphone amp for an enhanced experience.

It’s worth pointing out that “lossless” and “hi-res” are related terms, but not the same thing and will vary from service to service. Apple uses ALAC encoding which is compressed, but without “loss” to the quality (unlike the ubiquitous .aac or .mp3 file formats). CDs were generally mastered to at least 16-bit / 44.1kHz which is the benchmark that Apple is using for its definition of lossless. In audio circles, a general consensus is that hi-res is anything with a sample rate above 44.1kHz. Increasingly, though, the term is being used for anything 96kHz and above.

This, of course, isn’t only about Apple’s new streaming formats. External DACs and audio interfaces are a great way to get the best sound and upgrade your listening experience generally. Especially if you want to get into the world of more exotic (read: pricey) headphones, as they often even require a DAC to provide enough clean digital signal to drive them. For audiophile headphones, a phone or laptop’s internal sound chipset often doesn’t have the oomph needed to deliver a hi-fi experience, meaning a better DAC could make all the difference in sound quality.

Okay, but can’t I just use the headphone adapter for my phone?

No. Well, yes, but see above. A Lightning or USB-C to 3.5mm headphone adapter often is an audio interface and most of the ones you’re buying for $7 (or that come free in the box) do not support hi-res audio beyond 48kHz / 24-bit. Android is a little more complicated, as some adapters are “passive” and really just connect you to the phone’s internal DAC like old school headphones. Others (active ones) have a DAC built-in and good luck finding out what your specific phone and the in-box adapter delivers. (Hint: connect it to a PC and see if it comes up as an audio interface. You might find some details there if it does).

What about Bluetooth headphones?

Chances are that over the last few years you’ve migrated from wired to wireless headphones (thanks, Apple). The world of Bluetooth headphones changes things a little when it comes to seeking better audio performance. What matters here is twofold, the headphones you’re using (as those will technically be the “DAC”) and the codec — the method used to send the musical data over to the headphones.

It’s also worth checking to see if your headphones support aptX and which version. Look out for aptX HD, aptX Adaptive and (for the highest quality) aptX Lossless which are all better than standard and becoming more common, albeit slowly. It’s worth noting that both your phone or media player and your headphones need to support the same aptX codec. Currently, no iPhone supports any type of aptX, though dongles exist that will offer that functionality.

Other higher-resolution Bluetooth codecs exist, like Sony’s LDAC, but Qualcomm’s AptX has wider support thanks to its prevalence in Android devices. Some high-end wireless headphones might even come with a headphone jack for wired connections when higher-quality audio is needed.



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OnePlus 12 gains official LineageOS support

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LineageOS now officially supports the OnePlus 12 with builds expected to be available in the coming days.

Undoubtedly one of the best phones of 2024, the OnePlus 12 is going to be a stellar device for a long time to come by the sheer weight of the spec sheet that it boasts. In many ways, it was a shock device after some so-so devices from the company in the years prior. It would be hard to argue that this isn’t one of the best Android phones of the past few generations.

Although strange, the 5-year support window isn’t quite as extensive as other phones in the same price bracket. Google and Samsung still lead the way with 7 full years of support, while OnePlus is only offering 4 OS versions plus 5 years of security patches. With almost two years behind it, the OnePlus 12 has received Android 15, is in line to get Android 16, and will then get two more OS versions, putting it on a final release of Android 18.

Most people can deal with that. However, despite OxygenOS becoming a very competent build based on ColorOS, many do not like the switch away from the lightweight, clean builds we were accustomed to just a few years ago. LineageOS support is an awesome new option if you want something a little more akin to the old OxygenOS on the OnePlus 12.

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Although the device has joined the roster, builds are still yet to be released. It might be something to keep an eye on if you are hoping to slap something lighter on your phone in the coming days. There also isn’t confirmation of which version will be made available, but we expect that the OnePlus 12 will support LineageOS 22.1, which is based on the previous Android 15 QPR1 release. The team behind LineageOS has not yet released an official Android 16 build, but no word on if or when that might be available.

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Powerball: See the winning numbers in Monday’s $20 million drawing

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It’s time to grab your tickets and check to see if you’re a big winner! The Powerball lottery jackpot continues to rise after two lucky winners in Texas and another from Missouri won $1.8 billion in the September 6 drawing. Is this your lucky night?

Here are Monday’s winning lottery numbers:

26-28-41-53-64, Powerball: 9, Power Play: 3X

Double Play Winning Numbers

7-18-19-22-68, Powerball: 13

The estimated Powerball jackpot is $20 million. The lump sum payment before taxes would be about $9.2 million.

The Double Play is a feature that gives players in select locations another chance to match their Powerball numbers in a separate drawing. The Double Play drawing is held following the regular drawing and has a top cash prize of $10 million.

Powerball is held in 45 states, the District of Columbia, the U.S. Virgin Islands and Puerto Rico. The Double Play add-on feature is available for purchase in 13 lottery jurisdictions, including Pennsylvania and Michigan.

A $2 ticket gives you a one in 292.2 million chance at joining the hall of Powerball jackpot champions.

The drawings are held at 10:59 p.m. Eastern, Mondays, Wednesdays and Saturdays. The deadline to purchase tickets is 9:45 p.m.

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ReOrbit lands record funding to take on Musk’s Starlink from Europe

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ReOrbit, a Finnish startup focused on sovereign satellites, has raised a record €45 million (about US $53 million) Series A round of funding for a European space tech company. That’s another sign that European new space market is heating up, fueled by a geopolitical environment in which interdependence has become a concern.

Founded in 2019 and based in Helsinki, ReOrbit aims to help countries control their own satellites. According to its CEO, Sethu Saveda Suvanam, it offers a solution to nations that can’t build their own satellites but want an affordable alternative to Elon Musk-owned Starlink. 

Unlike Starlink, which also targets private users and enterprises, ReOrbit wants its clients to have full ownership and sovereignty over their satellites and communications. This means sourcing hardware from trusted sources and controlling it with ReOrbit’s software layer.

This software core, which Saveda Suvanam likens to iOS, can equally drive ReOrbit’s geostationary orbit satellite, SiltaSat, and its low earth orbit satellite, UkkoSat.

Such flexibility is particularly critical for countries that see the accelerating role of space underpinning their defense, security, and critical infrastructure.

That approach has helped the company sign “a full contract worth some hundreds of millions” with one nation and “multiple MOUs” with others, Saveda Suvanam said.

Saveda Suvanam insists that such contracts mean the startup didn’t need external funding, but it took the round anyway to accelerate growth. He wants ReOrbit to become a sales unicorn in the next four years. “We are targeting €1 billion in order books,” Saveda Suvanam said.

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ReOrbit was actually aiming to raise €50 million in its Series A organized by Springvest, a Finnish firm that organizes crowdsourced public offerings to qualified investors for private companies. While the startup didn’t reach the full tally, the round was record-sized for Finland, which contributed to the round in several ways.

“The public share issue of €8 million, organized for Finnish private investors and family offices, was opened on June 16 and filled in just 4.5 hours — faster than any share issue ever arranged by Springvest,” Saveda Suvanam wrote to TechCrunch. That converts to about $9.4 million.

The remaining €37 million ($43.5 million) also had a strong Nordic flavor, coming from institutional investors including previous backers Varma, Elo, Icebreaker.vc, Expansion VC, 10x Founders, and Inventure.

With competitors including Astranis and others, ReOrbit is shaped by the location it chose. Saveda Suvanam was born in India, but had spent 15 years in Sweden’s space industry before making the decision to relocate his newly created company to Finland and move there with his wife, who is also ReOrbit’s chief of staff, Mina Rajabi. 

One key factor was a regulatory environment that had already proven favorable to Finland’s ICEYE — been one of the most well-capitalized space startups outside of SpaceX. But current tense geopolitics also play a role. Cuts to undersea cables in the Red Sea served other nations a reminder of the importance of satellite imaging.

“Finland is not a country that wants to be a superpower, and this is very important, because today, a lot of nations are stuck between China and the U.S. When we talk to the highest authorities of these nations, they always say, ‘We are looking at Europe and the Nordics very keenly, because this is a time where we want to find neutral partners.’ This is why it’s so exciting to [come from the Nordics] if you’re in this space — no pun intended.”

ReOrbit’s next milestone will also come from Europe: it is building a satellite for an in-orbit demonstration with the European Space Agency that it plans to launch in the second quarter of next year, Saveda Suvanam said.



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Bluesky finally has a private bookmarking feature

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Bluesky has added a built-in bookmarking feature so users finally have a way to privately save posts on the platform. The update is out now on Bluesky’s website and app.

Bookmarks on Bluesky work pretty much like they do on any other service. Save a post and you can revisit it later from the “saved posts” section of the app and website. It’s overall a basic feature — there’s currently no way to organize your saves into folders, for example — but it’s a very long overdue addition to the platform. 

Up to now, Bluesky users have technically been able to save posts via a workaround. Bluesky developer Jaz created a custom “pinned” feed that allowed subscribers to save posts by replying with a 📌 emoji. But while this provided a handy way to save posts in the absence of an official bookmarking feature, it wasn’t private since it created a public reply for every save. Now, though, there’s a handy tool to convert your previously “pinned” posts into private bookmarks. You can also opt to delete your public “pins” or leave them as is. 



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Nest Doorbell 2K retail box specifies resolution, wider FOV

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Following yesterday’s Home Depot leak, Google’s upcoming camera lineup continues to appear in stores, and we now have more details about the Nest Doorbell 2K, like the exact resolution.

The latest retail leak for the “Google Nest Doorbell (wired, 3rd generation)” in Snow shows the back of the box. It’s a sleeve design with the pill-shaped sticker on the back. Of note is the “Specifications” section where we learn that 2K HDR translates to 2048 x 2048. That’s up from 960 x 1280 today.

Meanwhile, the field of view is 166° diagonal from 145° diagonal today. 

It remains to be seen what that will be for the Nest Cam 2K, with the current lineup having a 1920 x 1080 resolution and 130° (outdoor) or 135° (indoor) FOV.

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The Nest Doorbell 2K also has: Night vision, 2-way audio, and Weather resistant. That’s unchanged from before. There are also no changes to operating temperature or doorbell power requirements:

  • −4°F to 104°F (−20°C to 40°C) 
  • Existing doorbell wiring (16-24 VAC 10-40 VA, 50/60 Hz transformer)

In the box, you get: Nest Doorbell, chime connector, base plate, 20° wedge, wire connector, hex key, wall screws/anchors, spacers, and window decal. 

Then there’s: “Subscription (sold separately) required for certain features, including Gemini and some AI experiences.” 

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Mass. police officer released from jail months after being shot by colleague

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A North Andover police officer shot by a coworker in late June was released Monday afternoon, months after the “armed confrontation” with officers serving her a restraining order taken out by her fiancé.

Kelsey Fitzsimmons was released on personal recognizance with a slew of conditions, including that she not have any contact with her infant son.

The 28-year-old is charged with assault and battery with a dangerous weapon in connection with the incident on June 30, during which police say she pointed a gun at a fellow officer.

Through her lawyer, Fitzsimmons has denied doing so and said she tried to take her own life that night.

As she left the courthouse Monday, Fitzsimmons, flanked by her lawyers, said simply, “The truth will come out.”

Fitzsimmons “looks very much forward to going home to recover, to prepare for what’s ahead in this case, because she is innocent,” said Martha Coakley, the former attorney general who has joined her defense team.

Fitzsimmons was initially set to be released following a hearing in late August, but an Essex County Superior Court paused the bail order to sort out the conditions of her release. After hearing from Fitzsimmons’ mother, Lauren Page, on Monday, Judge Kathleen McCarthy Neyman granted Fitzsimmons’ release.

During the bail hearing, Fitzsimmons, who wore a black jacket and white shirt with her blonde hair pulled into a bun, remained stoic until McCarthy Neyman emphasized she could not see her son. At that point, Fitzsimmons looked down and began to tear up.

Asked about the delay, Timothy Bradl, a lawyer representing Fitzsimmons, said the judge took a “very careful approach.”

“We got Kelsey out of jail, and we’re thrilled about that,” he said outside the Salem courthouse. “The family here has gone to extraordinary lengths to make sure that they can show the court that Kelsey is safe and protected and is where she needs to be.”

On June 30, North Andover police arrived at Fitzsimmons’ home to serve her with a restraining order obtained earlier that day by her fiancé.

In an affidavit, Fitzsimmons’ fiancé said she had assaulted him and that he feared for the life of their infant son.

A hearing on the restraining order is slated for later this month.

While Fitzsimmons was packing up clothes for her son, police say she reached for a gun and attempted to fire it at one of the responding officers. She was shot once in the chest by the officer and taken to Massachusetts General Hospital, where she remained for more than a month.

At the bail hearing on Monday, Bradl asked McCarthy-Neyman to defer the order requiring Fitzsimmons to stay away from her son to the probate court.

The judge declined to do so, but said she would amend the order if needed.

Bradl has called the claims from Fitzsimmons’ fiancé “self-serving.”

“Her whole world was taken away from her because a guy went to the probate court … filled out a piece of paper, full of self-serving allegations, and got her baby,” he told reporters outside the courthouse. “Kelsey is very committed to showing this court, showing the judge that she’s fine, that she’s in control, that she’s not a danger. The only thing that’s been aggravating her postpartum [depression] is having her baby taken away.”

“We’re going to do everything we can to reunite Kelsey with her baby,” Bradl added.

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Cleveland Orchestra maestro Christoph Von Dohnányi has died : NPR

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Christoph von Dohnányi led the Cleveland Orchestra for 18 years.

Christoph von Dohnányi led the Cleveland Orchestra for 18 years.

Roger Mastroianni/Cleveland Orchestra


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Roger Mastroianni/Cleveland Orchestra

Christoph von Dohnányi, a conductor known for his illuminating and intellectual approach to music, died Saturday. His death was announced in a statement by the Cleveland Orchestra, which did not specify a cause. He was 95.

Dohnányi was best known in the United States for his time as the music director of the Cleveland Orchestra, which he led from 1984 to 2002. He also made numerous recordings with the symphony, programming a broad swath of music that ranged from J.S. Bach to Harrison Birtwistle, while remaining grounded in the Austro-Germanic repertoire.

“They were the most-recorded American orchestra for about a decade during his tenure,” says Don Rosenberg, former music critic of the Cleveland Plain Dealer and author of the book The Cleveland Orchestra Story: Second to None.

Rosenberg reviewed many of Dohnányi’s performances with the Cleveland Orchestra. He says that the conductor’s devotion to the score, and willingness to rethink pieces he had conducted many times, were central to Dohnányi’s interpretations.

“You could hear everything in the texture,” Rosenberg recalls. “He was not one for big flourishes in terms of sonority; he always wanted the details to be heard. He took a very analytical approach, which nevertheless made for performances that were not only very clear but very vibrant.” For Dohnányi, the arc of a piece was crucial — he believed that the listener should be able to hear inside the music, but also see the big picture.

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Andrew Porter, praising a Cleveland Orchestra performance of Bruckner‘s Seventh Symphony in The New Yorker in 1988, wrote: “Mr. Dohnányi and his orchestra cast a spell of attention such as is rarely encountered in New York’s concert halls. Beauty of sound, eloquence of individual phrasing, balance of long periods and a sense of high purpose were united.”

The secret of Dohnányi’s success, he once told a BBC broadcaster, was deceptively simple. “The main goal of a conductor,” he claimed, “should be that he is not important any more — that the orchestra listens to each other, that the orchestra has a certain spirit which you try to convey to them while you’re rehearsing.”

Dohnányi was born Sept. 8, 1929, in Berlin, into a family of musicians, politicians and an esteemed theologian. His grandfather, Ernst (Ernő) von Dohnányi, was a celebrated Hungarian composer and pianist. His father, Hans, a lawyer and member of the Hamburg senate, and his uncle, the theologian Dietrich Bonhoeffer, were both executed on Adolf Hitler’s orders in 1945 for their involvement in a plot to assassinate the German leader. Klaus von Dohnányi, Christoph’s older brother, served as mayor of Hamburg from 1981 to 1988.

Dohnányi’s musical life began at the piano, which he studied until World War II intervened. Afterward, in Munich, he studied law before entering the state music school, where he graduated in 1951 and won the city’s Richard Strauss Conducting Prize. He followed his grandfather to the U.S., studying with him in Florida and later with Leonard Bernstein at Tanglewood in Massachusetts.

Early on, Dohnányi built a solid foundation in conducting by working his way through provincial German opera houses, eventually graduating to director’s posts in Frankfurt and Hamburg. “I think he had an advantage that a lot of young conductors today don’t have,” Rosenberg says. “He started in an opera house, as a coach, and learned the ropes from the ground up. That kind of training doesn’t happen a lot anymore, and that’s too bad because those conductors who had all those experiences brought a very rich culture to their music-making.”

Along with his work in opera houses such as London’s Covent Garden and New York’s Metropolitan, Dohnányi held posts at symphony orchestras in Cologne, London and, beginning in 1984, Cleveland.

Dohnányi was something of a dark horse pick for Cleveland, considering the visibility of his predecessors Lorin Maazel and the legendary George Szell, who led the orchestra from 1946 to 1970. But Rosenberg notes that during Dohnányi’s tenure, he upheld the orchestra’s top-tier reputation while crafting a sound of his own.

“He made splendid use of the orchestra’s chamber-music-like qualities,” Rosenberg says. “I think he softened some of the edges that Szell preferred and that continued under Maazel. There was attention to detail and transparency — all the qualities that we associate with the Cleveland Orchestra for half a century.”

Although Dohnányi’s podium demeanor was reserved and his tone was generally soft-spoken, the conductor was known to freely speak his mind. An article in London’s Times in 1994 finds Dohnányi openly criticizing other conductors, calling Simon Rattle‘s performance of Mozart’s The Marriage of Figaro a “total misunderstanding” and Mahler symphonies under Bernstein “totally wrong.”

In recent years, Dohnányi kept busy guest conducting the world’s great orchestras and keeping up his website, on which he was politically outspoken. In a post from February 2017 called “Resist the Beginnings,” he starts by recalling the deaths of four men in his family at the hands of Nazis, before going on to lament “intolerance” in the United States. “What kind of world are we living in?” he wrote. “A world of ‘Texas first!’ ‘California first!’ Asia, Africa, America, Europe or Australia ‘first!’? Or do we live in a world that puts human dignity, humanity, fearlessness and compassion above everything else? In its great days our much-loved USA was such a country.”



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Signal introduces free and paid backup plans for your chats

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Privacy-focused messaging app Signal announced on Monday that it’s introducing a feature that allows users to back up their text conversations for free, along with the last 45 days of media. It’s also debuting its first paid feature by offering full media backups with up to 100GB of storage.

Historically, the messaging app didn’t let users store any kind of backup of your conversations on the platform. This could be especially troublesome if you lost or broke your phone. While you could transfer conversations from one phone to another, there was no cloud backup in place. The new feature finally solves that problem, making Signal a more valuable app for secure messaging.

Signal’s free tier gives users 100MB of storage for text messages and the last 45 days’ worth of media. The company said in its blog post that it stores messages after compressing them, and 100MB would be sufficient for “even heavy” users.

For users who want to store beyond the last 45 days of media, the company is offering a $1.99 per month paid plan with 100GB of storage.

This is Signal’s first paid feature, and the company said it’s charging users to assist with the cost of storage in a privacy-preserving way.

You can enable the secure backup feature from the app’s Settings, which will then begin to back up your content daily.

Signal is using zero-knowledge technology to secure its backups, so they’re not linked to a particular user or a specific payment method. Users will receive a 64-character recovery key that is generated on the device to unlock their backups. Amid Signal rivals, WhatsApp offers end-to-end backup through an optional feature that users have to enable.

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At launch, Signal is offering this feature only on the beta version of its Android app, but said that cross-platform availability is coming soon. It noted that, in the future, it plans to let users save a backup archive wherever they want. Plus, it intends to enable users to transfer their message history between platforms.



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Uber and partner Momenta will start testing robotaxis in Europe next year

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Uber and its new partner Momenta will start testing an autonomous ride-sharing service in Europe in 2026, Momenta announced. The service will kick off in Munich, Germany using Momenta’s self-driving tech and Uber’s ride-sharing platform, with the goal of future European expansion. The companies chose Munich to kick off the operation due to the city’s “deep-rooted engineering heritage, top-tier automotive ecosystem and openness to innovation,” Momenta said.

Momenta and Uber announced a “strategic agreement” in May this year to launch a robotaxi service with safety drivers aboard to start with. Momenta was one of China’s first autonomous vehicle companies and has been testing self-driving cars in the nation since 2018, with plans to roll out a commercial operation at its base in Shanghai next year. It also builds ADAS (advanced driver assistance systems) for major automakers including Mercedes-Benz and Audi, with over 400,000 installed to date.

Europe has been slower than the US and China to adopt self-driving taxis, but that has started to change. Uber will be competing with Baidu, which announced plans to start testing its Apollo Go self-driving service in Switzerland as early as this year. Another company, WeRide, launched its own pilot program in Switzerland in January 2025 and started testing a driverless shuttle system in France shortly after that.

Elsewhere, Uber has partnered with other self-driving vehicle companies including WeRide, Pony.AI and Momenta in the Middle East. It also has a deal with UK-based Wayve to launch self-driving ride sharing trials in London next year, and recently said it would offer ride-sharing services in Los Angeles using an autonomous version of Volkswagen’s ID. Buzz.

Uber and Momenta’s Munich service will use Level 4 self-driving vehicles that can be operated without a safety driver in preset geographical areas. The companies will need to obtain certification from the German government and approval for the “geofenced zones” where it’s allowed to operate.

Uber originally planned to build its own self-driving cars but abandoned the idea in 2020 following the death of a pedestrian and scandal around alleged trade secret theft from Waymo. Since then, it has taken the route of partnering with autonomous vehicle manufacturers, including the aforementioned Waymo in Austin and Atlanta.



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